Parley
  • Home
  • History
  • Artists
  • Donate
  • Gallery
  • Merch
  • Contact
  • Home
  • History
  • Artists
  • Donate
  • Gallery
  • Merch
  • Contact
Search by typing & pressing enter

YOUR CART

Still from the puppet film
​
How to Raise a Revolution
by Brian Dang.

PARLEY

is a COLLABORATIVE PRODUCTION COMPANY
that develops & ​launches
EXPERIMENTAL,
AFFORDABLE 
​dramatic art
​IN ALL FORMS.

make plays, not war 


NOW AVAILABLE:

Parley Lit Issue #4

Picture

​The term ​​ parley  derives from the French verb  parler: to speak.  Historically, a parley was a meeting between adversaries in order to negotiate an end to battle. To signal a willingness to talk peaceably, armies would run up a white flag. 
In a parley, people of vastly different opinions and experiences make themselves vulnerable by holding conflicting truths together.
​

Creating is a solitary act, and isolation can make art rigid. By committing to an ongoing process of writing, feedback, and production, we surrender the lone struggle and move forward in collaboration.

Sign up for Parley news.

* indicates required

Explore Our YouTube channel

Upcoming

Corday St. Augustine runs a humble robot repair shop in the tatty, turbulent back streets of New Cascadia. He's an expert in fixing the most popular robot model:  Shenandoah 301 ... affectionately known as "Shannon." 
Shannons can't hurt people.
But if that's true, why is a Shannon belonging to a national treasure and his domestic terrorist husband threatening to blow everything up?
And what's a regular robot repair guy supposed to do about it?
Picture
Parley presents a world premiere workshop.
301 Repair
by drew david combs
directed by Rebecca Tourino Collinsworth
film fx by Jules Marin
technical direction by Dustin Hageland


featuring:
Ronan Pirkle
Janet Holloway-Thomas
Brandon Tourino Collinsworth
Tadd Morgan

& E. Pike as Shenandoah 301

June 11 @ 7 pm
Center Theatre



Brown Paper Tickets Ticket Widget Loading...

Click Here to visit the Brown Paper Tickets event page.



Press

Parley is named a resident company of Theatre Puget Sound in the Seattle Times. Read the article here.
​Parley's artistic director was interviewed by the Seattle Times. Read the article here.
Parley's production of Dirty Beasts was reviewed by Drama in the Hood. Read that review here.
Our production of Maiden Voyage was reviewed by the Seattle Times. Read that review here.
Parley's artistic director was interviewed for The Mumble, an international theatre journal. Read it here.
Our production of The Oysterman's House was reviewed by Drama in the Hood.  Read that review here.
Our co-production of Gills! Gills! Gills! was reviewed by Drama in the Hood.  Read that review here.
Parley's artistic director was featured in the March/April 2020, Sept./Oct 2017, and Spring 2024 "Mentorship" issues ofThe Dramatist.

Light Delay, by Jessica Andrewartha
cherubin, by Rebecca Tourino Collinsworth
Water Over My Head, by Hannah Merrill
All Purpose Hole, by Susan McNally
Proofs episode 10: money
Picture
© 2024, Rebecca Tourino Collinsworth