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Still from the puppet film
How to Raise a Revolution by Brian Dang. |
PARLEYis a COLLABORATIVE PRODUCTION COMPANY
that develops & launches EXPERIMENTAL, AFFORDABLE dramatic art IN ALL FORMS. make plays, not war |
NOW AVAILABLE:Parley Lit Issue #4
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The term parley derives from the French verb parler: to speak. Historically, a parley was a meeting between adversaries in order to negotiate an end to battle. To signal a willingness to talk peaceably, armies would run up a white flag. In a parley, people of vastly different opinions and experiences make themselves vulnerable by holding conflicting truths together.
Creating is a solitary act, and isolation can make art rigid. By committing to an ongoing process of writing, feedback, and production, we surrender the lone struggle and move forward in collaboration. |
Upcoming
Corday St. Augustine runs a humble robot repair shop in the tatty, turbulent back streets of New Cascadia. He's an expert in fixing the most popular robot model: Shenandoah 301 ... affectionately known as "Shannon."
Shannons can't hurt people.
But if that's true, why is a Shannon belonging to a national treasure and his domestic terrorist husband threatening to blow everything up?
And what's a regular robot repair guy supposed to do about it?
Shannons can't hurt people.
But if that's true, why is a Shannon belonging to a national treasure and his domestic terrorist husband threatening to blow everything up?
And what's a regular robot repair guy supposed to do about it?
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Parley presents a world premiere workshop.
301 Repair by drew david combs directed by Rebecca Tourino Collinsworth film fx by Jules Marin technical direction by Dustin Hageland featuring: Ronan Pirkle Janet Holloway-Thomas Brandon Tourino Collinsworth Tadd Morgan & E. Pike as Shenandoah 301 June 11 @ 7 pm Center Theatre |
Press
Parley is named a resident company of Theatre Puget Sound in the Seattle Times. Read the article here.
Parley's artistic director was interviewed by the Seattle Times. Read the article here.
Parley's production of Dirty Beasts was reviewed by Drama in the Hood. Read that review here.
Our production of Maiden Voyage was reviewed by the Seattle Times. Read that review here.
Parley's artistic director was interviewed for The Mumble, an international theatre journal. Read it here.
Our production of The Oysterman's House was reviewed by Drama in the Hood. Read that review here.
Our co-production of Gills! Gills! Gills! was reviewed by Drama in the Hood. Read that review here.
Parley's artistic director was featured in the March/April 2020, Sept./Oct 2017, and Spring 2024 "Mentorship" issues ofThe Dramatist.
Parley's artistic director was interviewed by the Seattle Times. Read the article here.
Parley's production of Dirty Beasts was reviewed by Drama in the Hood. Read that review here.
Our production of Maiden Voyage was reviewed by the Seattle Times. Read that review here.
Parley's artistic director was interviewed for The Mumble, an international theatre journal. Read it here.
Our production of The Oysterman's House was reviewed by Drama in the Hood. Read that review here.
Our co-production of Gills! Gills! Gills! was reviewed by Drama in the Hood. Read that review here.
Parley's artistic director was featured in the March/April 2020, Sept./Oct 2017, and Spring 2024 "Mentorship" issues ofThe Dramatist.
© 2024, Rebecca Tourino Collinsworth