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Terry Edward moore
and sam turner in clarissa buys the flowers herself by Kate Schwartz |
Yom Kippur, by Nelle Tankus
November 2022
Four homos party hard for the high holy days on the anniversary of a traumatic event. But guilt hangs over them like a curse. It lives in the walls, in the food they eat, their every breath, and theyre all complicit in different ways. As the night wears on, they all must come together and begin the messy work of atonement, moving beyond blame towards uncertainty and repair.
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Parley presents a virtual world premiere workshop.
Yom Kippur by Nelle Tankus directed by Rebecca Tourino Collinsworth stage managed by Jaime Shure starring: drew david combs Will Courtney Guy Oron Loren Othón |
2 live online performances November 5 and 6 @ 7 pm PST pay what you will Content advisories: conversations about sexual & patriarchal violence, mentions of incest, internalized misogyny, very messy accountability process |
Dirty Beasts, by Katherine Jett, Dustin Hageland, drew david combs, n8 Heneghan, Carolynne Wilcox, Asha Dore, and Carol Y Lee
October 2022
Dirty Beasts, a short play festival of fierce, vulnerable new works by Parley playwrights, is coming to West of Lenin’s upstairs studio. Observe these beasts in their natural habitat for 2 performances only! Perhaps the works of Katherine Jett, Dustin Hageland, drew david combs, n8 Heneghan, Carolynne Wilcox, Asha Dore, and Carol Y. Lee will venture out of hiding, if you’re quiet. Better blend into the landscape, though – they’re feral.
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Dirty Beasts Rough Plays in Early Development directed by rebecca tourino collinsworth with seven tender & fierce young works by: drew david combs asha dore dustin hageland n8 heneghan katherine jett carol y. lee carolynne wilcox starring: drew david combs carol y. lee isis king fernando cavallo katherine jett ana maria campoy denny le viviana garza |
2 chances to catch the beasts! Friday, October 21 Saturday, October 22 8:30 pm West of Lenin Upstairs Studio pay what you can Please note that the studio at West of Lenin is up an unfortunate flight of stairs and there is no elevator. CONTENT ADVISORY: adult language and themes, including discussion of violence, drugs, and self-harm.
SAFE PEOPLE, RISKY ART: all non-performers must wear masks while not eating or drinking.
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Cowboys With Questions, by Rebecca Tourino Collinsworth
August-September 2022
In a tunnel beneath the Soledad Mission in California, a group of people are drinking wine with a special ingredient. They’re all in thrall to George, a charismatic leader with an uncanny ability to skirt death. Then a cowboy interrupts their secret ritual with questions – about cattle, real estate, orgies, even the Talking Heads. Inspired equally by The Bacchae, cults, and the Doomsday Clock, Cowboys With Questions examines the pleasures and costs of surviving in uncertain times.
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Parley present a world premiere special event!
Cowboys With Questions a modern take on a Greek tragedy written and directed by Rebecca Tourino Collinsworth with movement by Katherine Jett and audience engagement by Asha Dore stage managed by Brandon Eller sound edited by Nelia Miller featuring Emily Pike+ Katherine Jett Taylor Melville Denny Le+ Kelly Johnson Sarah Overman Brandon Collinsworth+ Jerome Virnich Drew David Combs +Parley Associate Artist |
4 live performances
August 31 September 1 September 2 September 3 Bacchic rites* begin at 7 pm Workshop production begins at 8 pm *The Bacchic Rites are an immersive dramaturgical experience culminating in a Movement performance by the cast inspired by ritual elements explored in the play. All elements of audience participation are limited to individuals who consent. "Consent cards" will be given to each audience member to display or revoke their consent at any time, no questions asked. COVID-19 SAFETY INFORMATION
All support staff and crew will be masked in accordance with COVID-19 safety protocols. All audience members must wear their own COVID-19 prevention masks to the performance when not eating or drinking. All cast and crew of have demonstrated proof of vaccination. Only vaccinated patrons will be admitted to the performance; patrons must provide vaccination documentation before admission. |
Clarissa Buys the Flowers Herself, by Kate Schwartz
June 2022
Who knew a play about a fractured society in post-World War, post-pandemic London would feel so timely in 2022?
An adaptation of Virginia Woolf’s 1925 novel, Clarissa Buys the Flowers Herself tells the story of one day in the life of a woman as she prepares to host a party. Clarissa Dalloway recalls memories of her life as an adventurous, free-spirited young woman. Thirty years later, the 1918 pandemic has taken an enormous toll on her both physically and mentally. Meanwhile, Septimus Warren Smith, a shell-shocked veteran, is constantly haunted by flashbacks of World War I.
With this script-in-hand workshop, Parley returns to in-person performance with an accomplished cast of beloved Seattle actors.
An adaptation of Virginia Woolf’s 1925 novel, Clarissa Buys the Flowers Herself tells the story of one day in the life of a woman as she prepares to host a party. Clarissa Dalloway recalls memories of her life as an adventurous, free-spirited young woman. Thirty years later, the 1918 pandemic has taken an enormous toll on her both physically and mentally. Meanwhile, Septimus Warren Smith, a shell-shocked veteran, is constantly haunted by flashbacks of World War I.
With this script-in-hand workshop, Parley returns to in-person performance with an accomplished cast of beloved Seattle actors.
We are not charging admission
to this performance ... ... But ... If you are able to contribute something in exchange for your ticket, we'11 gratefully accept any amount at the door. You can also donate that amount by clicking here. Content advisory:
Subject matter relating to mental health and suicide. |
Parley presents
the world premiere workshop of a new play. Clarissa Buys the Flowers Herself an adaptation of Mrs. Dalloway by Kate Schwartz Directed by Rebecca Tourino Collinsworth Stage managed by Jaime Shure Featuring Janet Hietter Terry Edward Moore* Sarah Overman Sam Turner Katherine Jett Kelly Johnson Brandon Collinsworth *Appearing courtesy of Actors Equity Association Sunday, June 12 at 7 pm West of Lenin |
Sharp Country (Virtual), by drew david combs
March 2022
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Parley presents an early process reading of Sharp Country a play in development by Drew David Combs directed by Rebecca Tourino Collinsworth technical direction by Jaime Shure featuring Julian Garcia Rebecca Tourino Collinsworth Sarah Overman Dara Lillis & Barbara Lindsay streaming live Saturday, March 26 7 pm PST |
Content advisory:
This play contains adult themes and language, including discussion of substance abuse and statutory rape.
Associate playwright Kate Schwartz recently interviewed Drew David Combs ...KATE: Parley Productions will be live-streaming your play in development, Sharp Country, on Saturday March 26th at 7pm. Theatre is beginning to re-emerge after a long two-year pause. Has the Pandemic affected your writing? If so, can you speak more about this?
DREW: Unfortunately I’ve started writing a play about Covid! So I guess the pandemic has definitely affected my writing in some ways. In other ways I think I am still writing for the traditional pre-pandemic style of theatre, although we’ve been talking in Parley about how things are changing. I’ve only seen one show? I think? In person, besides Aposiopesis, and I enjoyed it, but it still feels very different. I’m interested in the possibilities of online work, but it lacks the essential human connection that makes theatre magical. KATE: Sharp Country is about a woman who is forced to confront her painful past. This is such a timeless and universal theme in theatre and literature. Without giving too much away, what sets your story apart from other plays that tackle this raw subject matter? DREW: I think the biggest difference between Sharp Country and other stories like it is that Cali isn’t her best self at any point. Of course we want to root for the protagonist, but Cali doesn’t make that easy, and no one is exactly a hero in this story. Everyone makes a poor choice at some point, but how they deal with the outcome differs. With this play I wanted to examine family ties, and what constitutes a family, and what keeps a family together or apart. KATE: Can you give us a glimpse into your writing process? What keeps you inspired and motivated to write? DREW: The things that inspire me are usually phrases or brief situations. For example, I take the bus to work and it drives past a watch repair store. The window’s been broken out so there’s a plywood board with “OPEN FOR REPAIR” and the address, 301, but the way it’s written it looks like “OPEN FOR 301 REPAIR.” What is a 301 and why would it need repair? Then I combine the phrase with a theme or something that’s been on my mind. Because of another very talented playwright in Parley, I’ve been thinking about the way humans connect to non-human objects or machines––robots. So now I have the beginnings of a plot! The way I keep myself motivated to write is honestly bringing my work to Parley. I have a community of people who not only want to read it, but want to help me improve and continue writing it. |
KATE: What has being a part of Parley meant to you over the years?
DREW: It’s difficult to overstate the importance that Parley has for me. I joined with the idea that I was going to get a sort of literary salon experience, and instead I’ve gained a community of lifelong friends, not to sound corny. Parley is of course mostly about writing, but there’s always much more than that in the way of support and friendship. I won’t say too much about our meetings except that there’s almost always a point at which we realize we’ve been hanging out and talking instead of discussing work, and it’s a joy to have a group of people like that. I have been very lucky to have Rebecca in my life, almost unspeakably so, and it’s wonderful to meet with talented friends every Monday and talk about art. It’s necessary. |
APOSIOPESIS, CONCEIVED By KATHERINE JETT
OCTOBER 2021
APOSIOPESIS: An abrupt halt in the middle of ... As if one is unable or hesitant to ...
Forward momentum has been interrupted. Something is withheld, suspended, waiting ...
At times, it feels as though we are living between the dots of an ellipsis.
Five Seattle playwrights have taken these confines as an invitation to pry open new doors in their imaginations -- not only to see what emerges, but to devise a way to share it with an audience in these uncertain times. Parley Productions invites you to don a mask and join us for an unusual tour of the second floor of the University Heights Center, where these imaginings have taken up temporary residence.
All faces will be obscured. No words will be uttered. What sort of play is that?
Come see …
Forward momentum has been interrupted. Something is withheld, suspended, waiting ...
At times, it feels as though we are living between the dots of an ellipsis.
Five Seattle playwrights have taken these confines as an invitation to pry open new doors in their imaginations -- not only to see what emerges, but to devise a way to share it with an audience in these uncertain times. Parley Productions invites you to don a mask and join us for an unusual tour of the second floor of the University Heights Center, where these imaginings have taken up temporary residence.
All faces will be obscured. No words will be uttered. What sort of play is that?
Come see …
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Only three performances!
October 22 at 8 pm October 23 at 6 pm October 23 at 8 pm pay what you can Please note: Audience size will be limited! Reservations are required. (No walk-ups.) |
Run time: 60 minutes. Recommended for ages 13+
COVID-19 SAFETY INFORMATION All performers and crew will be masked in accordance with COVID-19 safety protocols, in addition to wearing masks that cover the entire face. Likewise, all audience members must wear their own COVID-19 prevention masks to the performance; at the door, we will provide full-face masking designed to be worn over patrons’ personal masks. All cast and crew of Aposiopesis have demonstrated proof of vaccination. Only vaccinated patrons will be admitted to the performance; patrons must provide vaccination documentation before admission. |
The Laundromat (Virtual), by Greg Brisendine
September 2021
It’s a typical pre-dawn morning at the Heart’s Desire Laundromat. At 2 am, a small group of unassuming folks -- the ones less comfortable with the bustle of daylight -- are washing, drying, and folding. It’s quiet. But quiet doesn’t make for much of a play. Hoping to spice things up, a writer throws an abandoned baby into the mix. A baby is spicy, after all.
How will Adrian, Jesse, Reese, Shawn, and Tristan contend with this unsettling development? And is it weird that you care? They’re just figments of a writer’s imagination, right? Right?
How will Adrian, Jesse, Reese, Shawn, and Tristan contend with this unsettling development? And is it weird that you care? They’re just figments of a writer’s imagination, right? Right?
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Parley presents a virtual world premiere workshop.
The Laundromat by Greg Brisendine directed by Rebecca Tourino Collinsworth technical wizardry by Jaime Shure with Gretchen Douma Azana Nunez Janet Hietter Kelly Johnson Buddy Todd Ellen Dessler Smith C. Sebastian Grace |
Streaming LIVE
Saturday, September 18 6 pm Pacific pay what you will (suggested donation: $8) |
DREAMS OF THE NTH EMPIRE (Virtual), by LIZ BAKER
JULY 2021
Driven together by their increasingly apocalyptic dreams, a trio of soothsayers band together to turn humanity from the disastrous course set by the empire in which they live. The only problem is they can’t quite figure out how to pull that off.
All too aware of the sword of Damocles hovering over their heads, SIBYL, ORACLE, and PROPHET cast desperately into the past for wisdom on conjuring a new future. Meanwhile, the present –– with all the distractions of daily life –– challenges their perceptive powers, threatening to derail the whole endeavor.
Will these novice fortune-tellers be able to see beyond themselves to a brighter tomorrow? Or are they all talk and no action? Join them upon the heath of the World Wide Web to find out.
All too aware of the sword of Damocles hovering over their heads, SIBYL, ORACLE, and PROPHET cast desperately into the past for wisdom on conjuring a new future. Meanwhile, the present –– with all the distractions of daily life –– challenges their perceptive powers, threatening to derail the whole endeavor.
Will these novice fortune-tellers be able to see beyond themselves to a brighter tomorrow? Or are they all talk and no action? Join them upon the heath of the World Wide Web to find out.
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Parley presents a world premiere
virtual workshop. Dreams of the Nth Empire by Liz Baker directed by Rebecca Tourino Collinsworth technical direction by Jaime Shure featuring: Emily Pike as SIBYL Katherine Jett as ORACLE Sam Turner as PROPHET |
Bipolar inkwell (Virtual), by Hannah Merrill
may 2021
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Parley presents
a virtual world premiere workshop. Bipolar Inkwell by Hannah Merrill directed by Rebecca Tourino Collinsworth technical direction by Jaime Shure starring Marlena McHenry |
streaming live Saturday, May 22 6 pm Pacific pay what you can suggested donation: $5 |
content advisory:
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The Hat (Virtual), by Greg Brisendine
March 2021
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The Hat
a love story written by Greg Brisendine directed by Rebecca Tourino Collinsworth technical direction by Jaime Shure |
featuring Adam Minton Buddy Todd Eric Olson Jeff Church Terry Boyd Gabe Sedgemore |
Streaming live Saturday, March 27 6 pm PST *Advisory: adult language and themes |
H*llo k*tty syndrome (Virtual), by brian dang
january 2021
"Hello Kitty is not a cat. She's a cartoon character.
She is a little girl. She is a friend. But she is not a cat. She's never depicted on all fours. She walks and sits like a two-legged creature.”
- Sanrio
HK is a little lost. They just quit their job as a police officer, broke up with their cowboy-partner, and made a vendetta with their brother-in-law. They find themselves caught in the throes of a family drama, noir, and romance. And worst of all, nobody will stop commenting on the fact that they are wearing a Hello Kitty TM mascot costume (but it’s slightly off because of copyright laws). The world spirals out of control as the stagehand won’t stop fucking up and the ensemble can’t remember who they’re playing. Eventually, pretenses, including capital letters, are trashed.
This play was workshopped with support in part by Seattle Office of Arts and Culture, 4Culture, and Parley.
This minimalistic reading is a culmination of the workshop, and intended to present the work of the ensemble and the play to the public.
She is a little girl. She is a friend. But she is not a cat. She's never depicted on all fours. She walks and sits like a two-legged creature.”
- Sanrio
HK is a little lost. They just quit their job as a police officer, broke up with their cowboy-partner, and made a vendetta with their brother-in-law. They find themselves caught in the throes of a family drama, noir, and romance. And worst of all, nobody will stop commenting on the fact that they are wearing a Hello Kitty TM mascot costume (but it’s slightly off because of copyright laws). The world spirals out of control as the stagehand won’t stop fucking up and the ensemble can’t remember who they’re playing. Eventually, pretenses, including capital letters, are trashed.
This play was workshopped with support in part by Seattle Office of Arts and Culture, 4Culture, and Parley.
This minimalistic reading is a culmination of the workshop, and intended to present the work of the ensemble and the play to the public.
Mount Saint Nothing (Virtual), by Drew David Combs
December 2020
“At the trial of G-d, we will ask: why did you allow all this?
And the answer will be an echo: why did you allow all this?”
-Ilya Kaminsky
The last two people on Earth have gotten themselves stuck in the bottom of a ditch. With little more than a stack of lightly used newspapers, Achat and Curtis must find a way to forge connection in a world that has forgotten them entirely. They will have to overcome prejudice, trauma, and despair in order to give one another that final missing piece of their own humanity, but they first face an even bigger obstacle: they fight like wet cats.
Only time will tell if they can bury their differences or if one of them will bury the other.
And the answer will be an echo: why did you allow all this?”
-Ilya Kaminsky
The last two people on Earth have gotten themselves stuck in the bottom of a ditch. With little more than a stack of lightly used newspapers, Achat and Curtis must find a way to forge connection in a world that has forgotten them entirely. They will have to overcome prejudice, trauma, and despair in order to give one another that final missing piece of their own humanity, but they first face an even bigger obstacle: they fight like wet cats.
Only time will tell if they can bury their differences or if one of them will bury the other.
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Parley presents a world premiere virtual reading
of a new play by the author of death in the digital age. mt. st. nothing by drew david combs directed by emily pike* technical direction by jaime shure* featuring drew david combs+ and rebecca tourino collinsworth+ * associate artist + associate playwright |
performed live
Saturday, December 19 7 pm PST pay what you can suggested donation: $5 (donate easily on our donations page!) content advisory: adult language, including slurs (hate speech), and descriptions of violence. |
Water Over My Head (Virtual), by Hannah Merrill
October 2020
The world's coasts have flooded, and stubborn ROCHELLE ekes out a living on her shabby houseboat.
NICO, who lives on the dry land only the rich can afford, hears rumors she can talk to the dead who drowned.
She expects a greedy fool. He expects a charlatan or witch. Both are unprepared for what they find.
Newly adapted for the virtual medium by the playwright, now is the perfect time to revisit
this delicate tale of human connection during the unlikeliest of times.
NICO, who lives on the dry land only the rich can afford, hears rumors she can talk to the dead who drowned.
She expects a greedy fool. He expects a charlatan or witch. Both are unprepared for what they find.
Newly adapted for the virtual medium by the playwright, now is the perfect time to revisit
this delicate tale of human connection during the unlikeliest of times.
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Parley presents a world premiere
virtual workshop production. Water Over My Head by Hannah Merrill directed by Rebecca Tourino Collinsworth technical direction by Jaime Shure Featuring: Emily Jo Testa Roger Estrada Marlena McHenry Streaming LIVE October 10, 2020 6 pm PST pay what you can suggested donation: $10 |
Cornelia's Visitors (Virtual), by Julieta Vitullo
August 2020
Cornelia's Visitors
Adapted from the pre-COVID19 version to fit the constraints of a world in disarray.
by Julieta Vitullo
directed by Rebecca Tourino Collinsworth
technical direction by Jaime Shure+
Cornelia's Visitors
Adapted from the pre-COVID19 version to fit the constraints of a world in disarray.
by Julieta Vitullo
directed by Rebecca Tourino Collinsworth
technical direction by Jaime Shure+
Patch and Piper Save the Multiverse (Virtual), by Katherine Jett
June 2020
Parley & the Maple Valley Creative Arts Council present a world premiere virtual staged reading!
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Patch and Piper Save the Multiverse Written by Katherine Jett Directed by Rebecca Tourino Collinsworth Technical direction by Jaime Shure* Illustrations by Oscar & Rafael Tourino Collinsworth Featuring: Annelih GH Hamilton Samuel Turner Kathy Hsieh Denny Le* Emily Pike* & Drew David Combs+ as Regis, the cat * Associate Artist +Associate Playwright |
Streaming live
Saturday, June 13 7 pm Suitable for viewers of ALL AGES FREE for everyone Proudly presented as part of the 22nd Annual
Maple Valley Arts Fest. |
The Oysterman's House, by Susan McNally
February 2020
Cape Cod. Henry David Thoreau. Criminal trespassing.
Irene's eyesight is failing, and her husband is increasingly immobile. This might be their last real family vacation, but Irene's got the logistics of the trip well in hand.
Or does she?
Hot on the trail of charming eateries and literary landmarks, Irene is determined to see the Oysterman's House with her own eyes . . . and she'll do whatever it takes to get her family on board.
Her daughter, Kate, has a secret plan.
Her son-in-law, Ronan, has a secret loathing.
And Daddy, not-so-secretly craving a fish sandwich, is dumbstruck by all the fuss.
Or does she?
Hot on the trail of charming eateries and literary landmarks, Irene is determined to see the Oysterman's House with her own eyes . . . and she'll do whatever it takes to get her family on board.
Her daughter, Kate, has a secret plan.
Her son-in-law, Ronan, has a secret loathing.
And Daddy, not-so-secretly craving a fish sandwich, is dumbstruck by all the fuss.
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Parley presents a world premiere micro-production!
The Oysterman's House by Susan McNally directed by Rebecca Tourino Collinsworth stage management by Jaime Shure+ featuring Maureen Hawkins * Isis King + & Brandon Tourino Collinsworth + * Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States, appearing under a Special Appearance Contract. + Parley Associate Artist 3 SHOWS ONLY! Pay what you can. Suggested donation: $10.
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February 20, 21, 22 7:30 pm University Heights Center Auditorium (5031 University Way NE, Seattle WA 98105) The UHeights Auditorium is located on the second floor, on the north side of the building. Free parking is available. Accessibility: Wheelchair lift available at the SW entrance (off Brooklyn Ave). Max capacity of 350 lbs. Call UHeights staff for assistance at: (206) 235-8567 Parley is a Theater of Access, committed to making art that's affordable for everyone. No one should be priced out of the theater! In keeping with this value, we offer pay what you can admission whenever possible. However, seating is limited. If you want to guarantee your seating in advance (recommended!) you may easily do so by clicking the links below.
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MAUREEN HAWKINS (IRENE) has enjoyed a long and varied career as a professional actor on stage, on screens, and as a commercial voice-over artist. She has also directed several shows for some of Seattle’s small stages as well as for area schools. You can see her on the U Heights stage again on June 13 and 14 premiering a new play by Claire Zaslove, Strong Waters (working title), directed by Arne Zaslove. And, to think, here she is, performing with Parley in her third and “utterly delightful” romp through the world created by Sue McNally. “Oh, wow… Honestly, I mean… Carpe diem!” Maureen is a proud member of AEA, and is appearing in The Oysterman's House under a Special Appearance Contract.
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Finding Ruth, by Jessica Andrewartha
January 2020
Ruth can remember every detail of her trip to Jamaica 50 years ago, but not what happened yesterday.
Her granddaughter, Natalie, is staying for the summer, and she's got her own problems ... all of which she'd like to forget.
Natalie longs to start over; Ruth hopes to make peace with choices she made when she was her granddaughter's age.
Both are determined to enjoy what could be their last summer together.
But how do you manage that when your brain seems to be working against you?
Her granddaughter, Natalie, is staying for the summer, and she's got her own problems ... all of which she'd like to forget.
Natalie longs to start over; Ruth hopes to make peace with choices she made when she was her granddaughter's age.
Both are determined to enjoy what could be their last summer together.
But how do you manage that when your brain seems to be working against you?
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Parley proudly presents a world premiere workshop production.
Finding Ruth written by Jessica Andrewartha directed by Rebecca Tourino Collinsworth featuring Marlena McHenry Gretchen Douma* Tom Fraser Julian Garcia* and Sydney Maltese* * Parley Associate Artist Parley is a Theater of Access, committed to making art that's affordable for everyone. No one should be priced out of the theater! In keeping with this value, we offer pay what you can admission whenever possible. However, seating is limited. If you want to guarantee your seating in advance (recommended!) you may easily do so online.
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Monday, January 27 7 pm University Heights Center Auditorium (5031 University Way NE, Seattle WA 98105) The UHeights Auditorium is located on the second floor, on the north side of the building. Free parking is available. Accessibility: Wheelchair lift available at the SW entrance (off Brooklyn Ave). Max capacity of 350 lbs. Call UHeights staff for assistance at: (206) 235-8567 pay what you can Content advisory: Mature themes; mention of self-harm and s*icide. Recommended 13+.
Contact us for more info at: info@parleyproductions.com |
TOM FRASER (PAUL) is happy to be working again with Parley having previously done staged readings of Greg Brisendine's play The List at The Rendezvous and Celeste Mari Williams' Gills! Gills! Gills! at West of Lenin. Over his many many decades living in Seattle, he has worked with a number of fine local theaters, most recently with the up-and-coming Albatross Theatre Lab in the intricate one act Sagittarius Ponderosa staged at TPS Theater4.
In the television realm, Investigation Discovery(ID) fans may have seen him doing bad things to good people in the city of Portland. ACTING!!! |
GRETCHEN DOUMA (RUTH) is delighted to be back for another Parley Production, especially one that embraces really tough subjects with such sensitivity. Thank you, Jessica & Rebecca. Other roles & productions you might have seen: Bea (No Strings Attached, Parley); Anne (Hospice: A Love Story, Grief Dialogues); Sheila (Terra Incognita, Annex Theatre); Lydia (Still Life, Forward Flux). A Parley Associate Artist, Gretchen is also the author of two, yet-to-be produced full-length plays -- Baby Talk and Ashes, Ashes, We All Fall Down -- as well as a number of shorter works.
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MARLENA McHENRY (NATALIE) (she/her) is thrilled to be a part of her first Parley production. She was most recently in Triceratops Love Song with Somniterum Productions. She has a BA in Acting from Western Washington University, and is a lover of devising, Fitzmaurice, and Viewpoints.
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SYDNEY MALTESE (CARLA / MARIA) is an actor, writer, and legal advocate. Seattle theater credits include The Tempest (Seattle Shakespeare Company), Peeling (Sound Theatre), Twelfth Night (Off Road Shakespeare), and The Journey of the Saint (ACT Lab/eSe Teatro). Sydney is a gleeful Parley associate artist, in which capacity she has had the great privilege of helping bring to life new work by many incredible playwrights - most recently, The Mermaids by Katherine Jett. You can catch her next in Our Country’s Good with Strawberry Theatre Workshop.
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JULIAN GARCIA (HECTOR) is thrilled to be collaborating with Parley once again. Finding Ruth is the 7th time he will be performing with incredible Seattle actors and the creative minds behind Parley. Julian is an actor from Big Spring, Texas. He’d like to thank Rebecca Tourino Collinsworth for creating amazing moments, Jessica for writing such an engaging play, the cast, and the rest of Parley for always making this fun. Enjoy the show!
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a white haunting, by Brian Dang
December 2019
Darren has invited Tchai over to his home for the first time, and the two are flirting, dancing, and discussing the morality of pineapple pizza when things start to go sour: the pizza person acts weird; the power goes out; Tchai lets his nerves get to him; and a masked intruder wielding an axe accidentally gets invited in. Wildly unpredictable, the intruder keeps them guessing, destroying the furniture and demanding they "play games." But when the intruder's intentions become impossible to deny, will Darren and Tchai figure out how to survive the night together?
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Parley presents the world premiere workshop production
of a new play. a white haunting written by Brian Dang directed by Rebecca Tourino Collinsworth featuring: Denny Le Patrick Tolden Aaron Jin dramaturgical consultants: Maya A. Burton Racquel West Marquis J. Wright Wednesday, December 18 7 pm University Heights Center Auditorium (5031 University Way NE, Seattle WA 98105) The UHeights Auditorium is located on the second floor, on the north side of the building. Free parking is available. Accessibility: Wheelchair lift available at the SW entrance (off Brooklyn Ave). Max capacity of 350 lbs. Call UHeights staff for assistance at: (206) 235-8567 |
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Parley is a Theater of Access, committed to making art that's affordable for everyone. No one should be priced out of the theater! In keeping with this value, we offer pay what you can admission whenever possible. However, seating is limited. If you want to guarantee your seating in advance (recommended!) you may easily do so online. |
Content advisory: Simulated violence; prop gun in use; adult themes; recommended for ages 15+
Contact us for more info at: info@parleyproductions.com |
DENNY LE [TCHAI (he/him)] is happy to be back working with Parley again after performing in Gills! Gills! Gills! this summer. Denny has performed in shows with Off Road Shakespeare Company, Seattle Shakespeare Company, UW Drama, Intiman's Emerging Artist Program, Bainbridge Performing Arts, Parley, GreenStage and more. You can also see him performing as a vocalist around town with his band "Rise Up - Hamilton Tribute" which performs the music from Hamilton: An American Musical.
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PATRICK TOLDEN [DARREN (he/him)] is Blessed, Lucky, and Thrilled to be a part of this amazing production. Seattle Born and Raised, Patrick was previously in Julius Caesar (Willy’s Dead Production), Mamma Mia (Seattle Musical Theatre) Once On This Island (Twelfth Night Production) and Anansi and the Halfling (Annex Theatre). He would love to thank Brian Dang and Rebecca Tourino Collinsworth for this beautiful and amazing opportunity, the cast for their hard work and passion that they brought to everyday, his roommates for always listening and understanding, and his beautiful family for their love and support. He dedicates his performance to Monique Aldred.
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AARON JIN [P.P. (any pronouns)] is an upcoming theatre artist and film person. He loves all things gay and love-related, especially when done with a sense of humor. Recently, he appeared in Cafe Nordo’s 7th and Jackson and produced the short film, "Stormy Skies," that premiered at NFFTY 2019. Up next: returning Touring Music Director and Male Swing for 5th Avenue Theatre’s Adventure Musical Theatre. Aaron can break an apple with his head.
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???? (GHOST)
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The Mermaids, by Katherine Jett
November 2019
Seraphina and Kalliope have come to a beautiful secluded beach on a scientific expedition. They have no idea what they will encounter in this legendary place. When they are approached by Steven, a friendly male in a toga, they can’t believe their luck. They have to study him.
But the sea is full of interruptions.
And Seraphina is developing an unhealthy obsession with the human body.
And concertina music is terribly intoxicating.
Are they getting dehydrated? They’ll have to get back in the water soon. They are mermaids, after all.
And mermaids can’t stay on land forever.
Can they?
But the sea is full of interruptions.
And Seraphina is developing an unhealthy obsession with the human body.
And concertina music is terribly intoxicating.
Are they getting dehydrated? They’ll have to get back in the water soon. They are mermaids, after all.
And mermaids can’t stay on land forever.
Can they?
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Parley presents the world premiere workshop production of a new play.
The Mermaids
by Katherine Jett Directed by Rebecca Tourino Collinsworth Assistant Directed by Emily Pike* Featuring: Simone Bruyere Fraser Brandon Collinsworth* Drew David Combs+ Kathy Hsieh Sydney Maltese* Dylan Smith Rebecca Tourino Collinsworth+ +Parley Associate Playwright *Parley Associate Artist November 21 8 pm University Heights Center Auditorium (5031 University Way NE, Seattle WA 98105) Pay what you can The UHeights Auditorium is located on the second floor, on the north side of the building. Free parking is available.
Accessibility: Wheelchair lift available at the SW entrance (off Brooklyn Ave). Max capacity of 350 lbs. Call UHeights staff for assistance at: (206) 235-8567 |
Parley is a Theater of Access, committed to making art that's affordable for everyone. No one should be priced out of the theater! In keeping with this value, we offer pay what you can admission whenever possible. However, seating is limited. If you want to guarantee your seating in advance (recommended!) you may easily do so online.
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death in the digital age, by drew david combs
September 18 - 20 2019
Benjamin Moshe Cohen has a bone to pick.
When he finds himself on a raft ride with the physical manifestation of Death, Ben insists there’s been a mistake, that he shouldn’t be dead.
Ben believes his grandfather–Benyamin Moses–was Death’s true target.
Death disagrees.
As the pair float down the river to meet God, Ben attempts to argue his way out of dying with a steadfast Death who maintains that Ben is out of options.
Can Ben accept his fate? What does Death get out of keeping Ben’s soul? And when Ben meets God, what will She have to say?
When he finds himself on a raft ride with the physical manifestation of Death, Ben insists there’s been a mistake, that he shouldn’t be dead.
Ben believes his grandfather–Benyamin Moses–was Death’s true target.
Death disagrees.
As the pair float down the river to meet God, Ben attempts to argue his way out of dying with a steadfast Death who maintains that Ben is out of options.
Can Ben accept his fate? What does Death get out of keeping Ben’s soul? And when Ben meets God, what will She have to say?
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Parley presents a world premiere micro-production.
death in the digital age by drew david combs directed by rebecca tourino collinsworth stage management / lighting design: jaime shure sound design: brian dang props / costume / scenic design: katherine jett featuring emily pike as Death drew david combs as Ben Three nights only!
September 18, 19, 20 8 pm University Heights Center (5031 University Way NE, Seattle WA 98105) pay what you can |
The UHeights Auditorium is located on the second floor, on the north side of the building. Free parking is available. Accessibility: Wheelchair lift available at the SW entrance (off Brooklyn Ave). Max capacity of 350 lbs. Call UHeights staff for assistance at: (206) 235-8567 Parley is a Theater of Access, committed to making art that's affordable for everyone. No one should be priced out of the theater! In keeping with this value, we offer pay what you can admission whenever possible. However, seating is limited. If you want to guarantee your seating in advance (recommended!) you may easily do so online.
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Gills! Gills! Gills! by Celeste Mari Williams
July - August 2019
This summer, ReAct and Parley proudly present a world premiere fully-staged production!
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Gills! Gills! Gills!
by Celeste Mari Williams directed by Rebecca Tourino Collinsworth stage management by KyeAnne Wilde lighting design by Robert Falk featuring: Jeremy Behrens Anuhea Brown Shahbaz Ahmed Khan Denny Le Stephanie Spohrer |
July 18 - August 18, 2019
12th Ave Arts From Celeste Mari Williams, one of Seattle's most exciting local playwrights, comes the highly entertaining world premiere of this hilarious collection of three comedies! In Gills! Gills! Gills! octopuses, seahorses, and anglerfish reveal unseen depths as they navigate dating, mating, and the survival of their species in an ocean of possibilities. Come dive into the fascinating and funny lives of these unforgettable creatures as they struggle to find love in the deep blue sea. Don't miss all the fun!
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Find out why Drama in the Hood raves, "Gills! Gills! Gills! is a jubilant, winning comedy"!
Two Big Black Bags, by Julieta Vitullo
August 2019
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eSe Teatro, Parley, & ACTLab present
Two Big Black Bags the world premiere workshop of a new play by Julieta Vitullo directed by Rebecca Tourino Collinsworth lighting design / stage management by Melissa Chenoa Márquez Musical direction by Meg Savlov Costume design by Jessica Moreno Caycho Scenic design by Matthew Smith featuring Jeff Allen Pierce Jon Díaz Michael D. Blum Rose Cano Monica Cortés-Viharo Ashley Salazar Mario Martínez |
August 9, 10, 11
Lalie Theatre James, an Argentine veteran of the Malvinas/Falklands War, wakes one morning to a big surprise in his living room: two big black bags containing ten million dollars. Determined to turn his life around, James embarks on an adventure from Seattle to South America. But is he willing to face the ghosts of his past in order to transform his future?
Based on an overlooked but deeply significant moment in Latin American history, this new fast-paced drama by Julieta Vitullo draws on music, movement, and magical realism to craft a universal story about the devastating effects of violence and the long and winding road to healing and redemption. Two Big Black Bags will be presented as a scripts-in-hand, workshop production in collaboration with eSe Teatro, Parley, and ACTLab. The play will be presented in English with some spoken Spanish and music in Spanish. |
Familiar Kill, by Barbara Lindsay
June 2019
These middle-aged newlyweds are planning a murder. What could go wrong?
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Parley presents the world premiere workshop of a new play.
Familiar Kill by Barbara Lindsay directed by Rebecca Tourino Collinsworth featuring Anabel Hovig+ Terry Boyd Kate Szyperski* + Parley Associate Artist * Appearing courtesy of Actors' Equity Association Pay what you can!
Parley is a Theater of Access, committed to making art that's affordable for everyone. No one should be priced out of the theater! In keeping with this value, we offer pay what you can admission. However, seating is limited. If you want to guarantee your seating in advance (recommended!) you may easily do so by following the link. |
Friday, June 14 8 pm The Auditorium at University Heights Center (5031 University Way NE, Seattle WA 98105) The Auditorium is located on the second floor of UHeights, on the north side of the building. Free parking is available. Accessibility: Wheelchair lift available at the SW entrance (off Brooklyn Ave). Max capacity of 350 lbs. Call UHeights staff for assistance at: (206) 235-8567 |
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Familiar Kill marks ANABEL HOVIG'S (RUBY's) sixth production reading with Parley. She has been a part of Parley since its conception and is an associate artist. Past performances in the Seattle area include a recent workshop production of Alma #nowall with Theatre Battery, directed by Brandon J. Simmons, Las Mariposas y Los Muertos, directed by Pilar O’Connell with former Forward Flux, and q u e r e n c i a as Tia Neta, directed by Rebecca Tourino Collinsworth at Seattle Fringe Festival. She is honored to return as Ruby Baxter.
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TERRY BOYD (EARL) is happy to return to Parley for his third appearance, where he was seen in When a Tree Falls and About Marilyn. Terry ran his own theater company, Lamplight Productions, where he produced and acted in Communicating Doors, Vanya and Sonia and Masha and Spike and The 39 Steps. He reprised his dual roles of the evil Lord Mayor and the saintly Servant in Holiday of Errors at Sound Theater. Terry appeared in Five by Tenn at Stone Soup and in Imaginery Opus, a co-productioin of eSe Teatro and Sound Theater Company. Look for Terry in late July’s production of The Kenmore Quickies at As If Theatre, where he recently portrayed Charles in The Clean House.
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KATE SZYPERSKI (JANELLE)* is delighted and humbled to voice Babs Lindsey’s brilliant writing. Kate has decades of performing to her credit, with stints in Vancouver, BC; California; New York City, including one Off-Broadway production; and numerous productions in Seattle and Western WA. Her repertoire ranges from the classics of Shakespeare and Moliere to the science fiction thrill of the Twilight Zone. In addition, she has toured with educational productions, including 5 years with a Holocaust Education program, which was a great honor and privilege. Thanks to all who donate their time, energy, funds, and patronage in the support of live theatre. *Appearing courtesy of Actors Equity Association.
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cherubin, by Rebecca Tourino Collinsworth
April 2019
photos by Mark Gladding
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KATHERINE JETT (MIRANDA) is a Seattle-based performer and writer. Her interests include reimagined classical theatre, theatre for young audiences, little-known history, dramaturgy, and highly physical interdisciplinary performance work. She has performed with Book-It Repertory, Greenstage, Seattle Immersive, Thalia’s Umbrella, and Rebel Kat Productions. Her original musical about Bigfoot (in collaboration with composer Adam Quillian), “Squatch! The Musical”, received its inaugural production at Centerstage Theatre in the Spring of 2017 and won a 2017 People’s Choice Gregory for Best New Play. Katherine holds a BFA in Theatre: Original Works from Cornish College of the Arts (2011) and is a proud artistic associate of the DUENDE ensemble. www.duende-ensemble.com
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COLLEEN CAREY (CORA) is a Seattle-based actress, teacher and director and producer. Recent stage appearances include: “Storyville Rising” (Winner- Brassy Award. Featured in HuffPost Weird News) and Rebel Kat Productions’ “Coriolanus: Fight Like a Bitch” (Winner- Seattle Times Footlight Award: Best and Most Notable Local Theater 2017). Recent Film and TV appearances include: “The Boy Who Lived Before” (Riverside Film Festival, NW Film Forum Local Sightings Film Festival), “The Scottish Play” (Amazon Prime), “Strowlers” (Amazon Prime), and “The Son, the Father” (Winner- Hollywood Short Film Festival. Best Actress: Horrorhound Film Festival, Best Film: Austin Revolution Film Festival).
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All Purpose Hole, by Susan McNally
April 2019
April 2019
Emily has her hands full, what with the ducks, the crow, the hyena, and Deputy Mouse. She's not exactly managing a menagerie, just navigating the pitfalls of domestic life. And there's not much help coming from her preoccupied husband, her know-it-all mother, or her delinquent stepson.
All Purpose Hole is a story of bottomless need, bottomless love, and the fight to save a family.
All Purpose Hole is a story of bottomless need, bottomless love, and the fight to save a family.
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Parley presents a world premiere workshop!
All Purpose Hole a new play written by Susan McNally directed by Rebecca Tourino Collinsworth Tuesday, April 2 at 7 pm
West of Lenin |
featuring
Kelly Johnson Paul Sobrie Julian Garcia+ Maureen Hawkins* Drew David Combs++ *appearing courtesy of Actors Equity Association +Parley Associate Artist ++ Parley Associate Playwright Content Advisory:
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This is KELLY JOHNSON's (EMILY) second show with the talented people of Parley. She last played "Jane" in Parley's reading of No Strings Attached by Greg Brisendine. Kelly's other projects include: ActLab's Deaf Spotlight Festival, In the Grey City, with Theater Schmeater, and TWQTF with 14/48 Productions. She'd like to send a huge thank you to Rebecca and Susan for being included in this beautiful and honest story. Kelly sends a big I LOVE YOU to Vandyman, who always has hugs at the ready for late night arrivals home and big vats of coffee on hand for the 'come too soon' mornings as a result of those late nights.
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Two Big Black Bags, by Julieta Vitullo
April 2019
April 2019
eSe Teatro & Parley present the staged reading of a new play
as part of Represent! A Multicultural Playwrights Festival
Two Big Black Bags
written by Julieta Vitullo
directed by Rebecca Tourino Collinsworth
Monday, April 1
7:30 pm
at
The Langston Hughes Performing Arts Institute
as part of Represent! A Multicultural Playwrights Festival
Two Big Black Bags
written by Julieta Vitullo
directed by Rebecca Tourino Collinsworth
Monday, April 1
7:30 pm
at
The Langston Hughes Performing Arts Institute
This road-play across the length of the American continent tells the story of James, an Argentine veteran of the Malvinas/Falklands War, who wakes up one day to a big surprise in his living room: Two big black bags full of money.
Two Big Black Bags follows James' attempts to shift his future while trying to deal with the ghosts of his past.
Two Big Black Bags follows James' attempts to shift his future while trying to deal with the ghosts of his past.
Water Over My Head, by Hannah Merrill
March 2019
The world's coasts have flooded, and stubborn ROCHELLE ekes out a living on her shabby houseboat. NICO, who lives on the dry land only the rich can afford, hears rumors she can talk to the dead who drowned.
She expects a greedy fool.
He expects a charlatan or witch.
Both are unprepared for what they find.
She expects a greedy fool.
He expects a charlatan or witch.
Both are unprepared for what they find.
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Parley presents
the world premiere workshop of a new play. Water Over My Head written by Hannah Merrill directed by Rebecca Tourino Collinsworth featuring Aimee Decker Tadd Morgan Ashley Salazar |
Wednesday, March 6th 7:30 pm The Auditorium at University Heights Center (5031 University Way NE, Seattle WA 98105) Pay what you can |
AIMEE DECKER (ROCHELLE) is thrilled to be part of another Parley Productions project. Her last Parley appearance was in Gills! Gills! Gills! by Celeste Mari Williams. Before venturing into acting, Aimee studied dance in Montana, worked in theatre and television in New York, and had a few run-ins with the law here in Seattle. Aimee has recently performed with REBATEnsemble, Ghost Light Theatricals, and The Horse In Motion's IRL series. She would like to thank Hannah, Rebecca, Celeste, and her Parley castmates for this terrific experience.
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ASHLEY SALAZAR (AMANDA) is ecstatic to be joining Parley for her second production with them. Her recent past productions include: Intiman Emerging Artist program, Welcome to Arroyo's at Theater Schmeater and GreenStage's Back Yard Bard. She would like to thank her family and friends for their continual love and support.
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TADD MORGAN (NICO) is delighted to be back with Parley. He was seen last year with the company in Iguazú, and was in A Christmas Carol and Bye Bye Birdie at Secondstory Rep. You can also hear his work on the audio serial, Brass, or find him at the Fremont puzzle room, Locurio. Much love to MP.
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cherubin, by Rebecca Tourino Collinsworth
January 2019
Bring me my son or this storm will kill you all.
Cora, a midwife and herbalist, is in the wrong place at the wrong time.
In search of her long-lost son, Cora arrives in a Puritan settlement in 1652 during the most destructive storm in a century. When she's thrown in jail under suspicion of witchcraft, she demands to see her child--a man the settlers call the Monster of Connecticut. Instead, she meets Miranda, a Puritan on the verge of childbirth, sent in to extract a confession and save Cora's soul. But neither Cora nor Miranda is exactly what she seems.
In lively conversation with The Tempest, cherubin takes on freedom, illusion, and agency through two of Shakespeare’s most under-explored characters.
Cora, a midwife and herbalist, is in the wrong place at the wrong time.
In search of her long-lost son, Cora arrives in a Puritan settlement in 1652 during the most destructive storm in a century. When she's thrown in jail under suspicion of witchcraft, she demands to see her child--a man the settlers call the Monster of Connecticut. Instead, she meets Miranda, a Puritan on the verge of childbirth, sent in to extract a confession and save Cora's soul. But neither Cora nor Miranda is exactly what she seems.
In lively conversation with The Tempest, cherubin takes on freedom, illusion, and agency through two of Shakespeare’s most under-explored characters.
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Parley presents a world premiere workshop production. cherubin a play about Miranda in response to The Tempest written & directed by Rebecca Tourino Collinsworth featuring Colleen Carey & Katherine Jett 
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Monday, January 28 7 pm at The Auditorium at University Heights Center (5031 University Way NE, Seattle WA 98105) Parley is a Theater of Access, committed to making art that's affordable for everyone. No one should be priced out of the theater!
In keeping with this value, we are offering pay what you can admission at three suggested levels: $10, $5, and $0. However, seating is limited. If you want to guarantee your seating in advance (recommended!) you may easily do so through the online system below. |
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KATHERINE JETT (MIRANDA) is a Seattle-based performer and writer. Her interests include reimagined classical theatre, theatre for young audiences, little-known history, dramaturgy, and highly physical interdisciplinary performance work. She has performed with Book-It Repertory, Greenstage, Seattle Immersive, Thalia’s Umbrella, and Rebel Kat Productions. Her original musical about Bigfoot (in collaboration with composer Adam Quillian), Squatch! The Musical, received its inaugural production at Centerstage Theatre in the Spring of 2017 and won a 2017 People’s Choice Gregory for Best New Play. Katherine holds a BFA in Theatre: Original Works from Cornish College of the Arts (2011) and is a proud artistic associate of the DUENDE ensemble. www.duende-ensemble.com
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A Seattle native, COLLEEN CAREY (CORA) began working as a professional actor at the age of five. She gained early admission to the prestigious Los Angeles County High School for the Arts (featured in the documentary films “Fame High" and “Shakespeare High”) and continued her education at the North Carolina School for the Arts. As a stage actor, Colleen has performed in over thirty Seattle-based productions, including Seattle Times Footlight Award winners Edmond and Café Nordo. She was nominated for a Theater of Puget Sound Gregory Award for her work in All Through the Night at ArtsWest. Most recently she was seen in the immersive cabaret Storyville Rising (Winner - Brassy Award, New Orleans. Featured in HuffPost Weird News) and Rebel Kat Productions’ Coriolanus: Fight Like a Bitch (Winner - Seattle Times Footlight Award: Best and Most Notable Local Theater 2018). Film and Television credits include: “Ticket Out” with Ray Liotta, Alexandra Breckenridge and Billy Burke; “Bigfoot” with Danny Bonaduce, Barry Williams, Bruce Davison and Cynthia Geary; “Different Drummers” (Winner-Grand Remington, WorldFest Houston International Film Festival), “The Boy Who Lived Before” (Riverside Film Festival, NW Film Forum Local Sightings Film Festival). Currently, Colleen can be seen as ‘Zeta’ in “The Scottish Play” (now streaming on Amazon Prime) and as the Mother in “The Son, the Father” (Winner- Best Screenplay, Hollywood Short Film Festival. Best Actress: Horrorhound Film Fest, Best Film: September 2017 Austin Revolution Film Festival).
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Light Delay, by Jessica Andrewartha
December 2018
December 2018
An environmental disaster has made the planet uninhabitable, and Dr. Triona Fitton's been devoting her engineering expertise to climate refugees. Then Triona is summoned to the deserted Mission Control that she designed to secure the last-minute launch of a colony ship carrying a hundred thousand settlers away from earth. If only Triona's former fiancé wasn't in command of that ship. If only Triona wasn't completely on her own. If only the power wasn't running out. From the seeds of conflict between two people to global climate failure, Light Delay explores the large-scale impact of small-scale choices.
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Parley presents the world premiere workshop of a new play.
Light Delay by Jessica Andrewartha directed by Rebecca Tourino Collinsworth production assistance by Hannah Merrill featuring Isis King JP Hamilton Marie Bolla |
Tuesday, December 4 7 pm West of Lenin Parley is a Theater of Access, committed to making art that's affordable for everyone. In keeping with this value, we reserve ten seats at each performance to distribute to our patrons free of charge. We release these tickets on a first-come, first-served basis beginning one hour before the show. Guests who prefer to guarantee their seating in advance may easily purchase tickets below. |
JP HAMILTON (LUCAS BARNES) is thrilled to be working with Jessica Andrewartha and Parley Productions on Light Delay. JP holds an MFA in acting from the University of Florida. He will be appearing in season 5 episode 9 of Z-Nation on Syfy Network airing Friday, November 30th (6pm PST). Check out JP on Twitter & Instagram @ActorJPH. Thanks to Jessica, Rebecca, Hannah, Isis, and Marie. Love to Annelih.
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ISIS KING (TRIONA FITTON) is thrilled to be back with Parley, and this great cast, for Light Delay! Favorite past Parley shows include: This Pleasant Prison, Little Brother's Body, Crooked Grace, Maiden Voyage, and Venus. Other favorite past Seattle theater shows include: Queen (Pratidhwani/ACTLab), The Inappropriate Suitor (Ghost Light Theatricals), Quickies! 2017/Residual (LiveGirls!), and Unexpected Wilderness (Annex). You can next see Isis in Macha Theatreworks production of Sheathed in March! Much love to Jim.
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MARIE BOLLA (GINA / NAOMI) is thrilled to be in her third Parley Show! Marie graduated from Freehold Studio's Ensemble Training Intensive (ETI) in June 2015, where she was a recipient of the Diversity Scholarship. While in ETI she created and performed in her solo show, A Mythology. Marie also performed in ACT Theatre's ACTivate Reading with The Umbrella Project as well as Seattle Public Theatre, Copius Love and as the titular role in Alcestis with the Irrational Robot Bureau Co. She has been seen in 14/48's Catharsis, the Pocket Theater's Fringe Month, Infinity Box Theater's Galileo Dialogues, Playlist Seattle, Annex Theatre, Sound Theatre and Parley's The Orchid and The Skull as well as Short Shorts and most recently, Best Friend. Thank you to Jessica, Rebecca and Parley for this apocolyptic experience!
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Superpowers, by Tré Calhoun
October 2018
Alex sits on top of the world after graduating as a social scientist, freed from the failures of his past. Then his girlfriend dies after he drunkenly feeds her poison oak, and a demon begins to haunt him. As Alex spirals downward, he assembles a crew of friends to accompany him on a high-stakes quest for liberation. But Alex isn’t the only one dealing with a demon. Will his friends’ secrets doom the mission? Is there a superpower that can eradicate fear and shame?
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Parley presents the world premiere workshop of a new play!
Superpowers by Tré Calhoun directed by Rebecca Tourino Collinsworth production coordination by Hannah Merrill featuring Maya A. Burton, Sienna Burnett, Roger Estrada, Corinne Magin, & Tré Calhoun |
Tuesday, October 9 7 pm West of Lenin Parley is a Theater of Access, committed to making art that's affordable for everyone. In keeping with this value, we reserve ten seats at each performance to distribute to our patrons free of charge. We release these tickets on a first-come, first-served basis beginning one hour before the show. Guests who prefer to guarantee their seating in advance may easily purchase tickets online. |
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TRÉ CALHOUN (ALEX) is a playwright, actor, solo performer, musician, and theatre producer. He's been making art in Seattle for about two years after graduating from college and has appeared in Taproot Theatre Company's A Civil War Christmas, Washington Ensemble Theatre’s Every Five Minutes, Forward Flux Productions’ The Wedding Gift, and Book-It Repertory Theatre’s The Brothers K: Parts I & II. He’s also acted with Hangar Theatre (NY) and Little Theatre Off Broadway (OH). He produced The Black Eye Society: A Cycle (music, lyrics, and book) and Dirt + Dew (playwright, director) in the Seattle Fringe Festival. He co-wrote Pony World Theatre's world premiere production of American Archipelago, and his play, The Other Town, was workshopped with Parley Productions. Other full-length plays, 10-minute plays, and solo performances have been presented by WET, Acropolis Performance Lab, The Northwest Playwrights Alliance, Theater Artists Olympia, and Edmonds Driftwood Players. He is an Associate Playwright with Parley. BA: Cornell University. http://www.thea-tre.com
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CORINNE MAGIN (JENN et al.) is an actor and costume designer from Rochester, NY. Since moving to Seattle, Corinne has performed in Peerless (ArtsWest), Do It for Umma (Annex), Hotel Nordo (Cafe Nordo), and Scary Mary and the Nightmares Nine (Annex). She has costumed shows at Annex Theatre and Ghost Light Theatricals. She was costume assistant on Howl's Moving Castle at Book-It Theatre.
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SIENNA BURNETT (NATALIE) is a queer femme actor & poet based in Seattle, WA. She graduated from the University of Northern Colorado in 2015 with a Bachelor of Arts degree in Acting. Past credits include: LIONS (Supporting Lead) Director Justin Zimmerman, Anton (The Parcae: Morta) Director Rebecca Tourino Collinsworth), Parts of Hudson (Foster) Director Rebecca Tourino Collinsworth, & The Other Town (Allie) Director Rebecca Tourino Collinsworth. Sienna has toured nationally teaching and sharing poetry, and her work has been featured on Buzzfeed, Button Poetry & Write About Now.
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MAYA BURTON (ADRIENNE) is an actor, teaching artist and Cornish College Alum. Some recent productions include Lady Windermere's Fan (Taproot) and Rosie the Riveter (5th Ave Tour). Up Next: Charlie Brown Christmas (Taproot) and the production of her and Lexi Chipman's original play Raisins in a Glass of Milk with Live Girls! Theater. Love, as always, to Ellsa and sunny South Florida.
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ROGER ESTRADA (NICK) is excited to be working with the Parley team for the first time! A recent transplant from Texas, Roger is new to the Seattle scene and just like his character Nick, he is eager to meet some new friends! Recent credits: The Tempest (Fern Shakespeare), The Grey Golem (Ghost Light Theatricals), 2 Sisters and a Piano (Theater Schmeater).
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Gills! Gills! Gills! by Celeste Mari Williams
September 2018
What if sea creatures weren’t governed by their biological imperative? In three quirky short plays, octopuses, seahorses, and anglerfish reveal unseen depths as they navigate dating, mating, and the survival of their species in an ocean of possibility.
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Parley presents a world premiere
workshop production! Gills! Gills! Gills! 3 short plays about mating in the deep by Celeste Mari Williams directed by Rebecca Tourino Collinsworth production coordination by Hannah Merrill featuring
Aimee Decker Stephanie Spohrer Denny Le Tom Fraser and Drew Combs Videography by Tom Speer =======>>> |
Monday, September 3
7 pm West of Lenin |
STEPHANIE SPOHRER is thrilled to be working with Parley again! Her Parley premiere was in Hannah Merrill's The Orchard and the Skull. Any chance to work with Rebecca and Parley is a gift! This play is a delight and she has thoroughly enjoyed exploring Celeste's extraordinary characters and story! Stephanie is a transplant from New York and is loving all the theatre that she is honored to be a part of in Seattle! Since venturing to Seattle, Stephanie has worked with: Annex Theatre, Fantastic.Z, Parley, Ghost Light Theatricals, Pacific Play Company, SecondStory Rep, Burien Actor's Theatre, Driftwood Players. Stephanie received a BA in Theatre Performance from SUNY New Paltz, NY. Thanks to Mike as well as her friends and family for their support!
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AIMEE DECKER is thrilled to be part of this terrific project for Parley Productions. Before venturing into acting, she studied dance in Montana, worked in theatre and television in New York, and had a few run-ins with the law here in Seattle. Aimee has recently performed with Ghost Light Theatricals, MAP Theatre, and REBATEnsemble. She would like to thank Celeste, Rebecca, and her dedicated gillpals who have made this all come together.
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TOM FRASER has been involved in Seattle theater and film since moving to Seattle from New York many years ago and is happy to be participating in his third project with Parley. Favorite previous roles include Joe Moore in "Tigers Be Still" (Catapult Theater @ Intiman Black Box), Ozzie in the Gregory Award winning "UNDO" (Annex Theater), Captain Lon McQuigg in "The Racket" (Theater Under the Influence @ Union Garage) and a variety of roles in a variety of locations with The 14-48 Projects. Earlier this Summer you may have seen Tom in the "Wonderland Murders" (Investigation Discovery channel) doing bad things to people in Portland....but he's really not that bad once you get to know him.
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DENNY LE
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Anton, by Brian Dang
August 2018
Historical records offer us scant details concerning the life of Antinous, a boy famous for being the Roman Emperor Hadrian’s lover:
1) He was from Bithynia, adopted by Hadrian while still a child.
2) He went hunting with the Emperor once.
3) He drowned in the Nile under mysterious circumstances.
Hadrian commissioned the making of hundreds upon hundreds of statues in honor of his beautiful, lost love. But how did Antinous feel about his journey from Bithynia farm boy to imperial lover?
As his relationship with Hadrian begins to turn sexual, Antinous is named heir to the thrown, befriends a hot boxer, and finds himself hounded by a callous, three-voiced being who seems to control his fate.
Anton is the exploration of Antinous’s life, death, and legacy.
1) He was from Bithynia, adopted by Hadrian while still a child.
2) He went hunting with the Emperor once.
3) He drowned in the Nile under mysterious circumstances.
Hadrian commissioned the making of hundreds upon hundreds of statues in honor of his beautiful, lost love. But how did Antinous feel about his journey from Bithynia farm boy to imperial lover?
As his relationship with Hadrian begins to turn sexual, Antinous is named heir to the thrown, befriends a hot boxer, and finds himself hounded by a callous, three-voiced being who seems to control his fate.
Anton is the exploration of Antinous’s life, death, and legacy.
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Parley presents a world premiere
workshop production! Anton a new play by Brian Dang directed by Rebecca Tourino Collinsworth production coordination by Hannah Merrill featuring Drew David Combs Darrin Schultz Anjelica McMillan Julian Garcia Sienna Burnett Sydney Maltese Prema Smith Tuesday, August 21 7 pm West of Lenin Parley is a Theater of Access, committed to making art that's affordable for everyone. In keeping with this value, we reserve several seats at each performance to distribute to our patrons free of charge. We release these tickets on a first-come, first-served basis beginning one hour before the show. Guests who prefer to guarantee their seating in advance may easily purchase tickets online. |
DARRIN SCHULTZ (HADRIAN) is an actor, comedian, and designer starting his third year in Seattle since graduating from the University of Puget Sound. This is Darrin's first show with Parley and he's very excited that it covers one of his favorite topics, ancient Rome. Recently, Darrin appeared as Hercules and Heckler in Kayfabe (Ghost Light Theatricals), and Viola in a staged reading of Twelfth Night at the Pocket Theater. Past design work includes sound for Deers and projections for ACME, both at Annex Theatre, and projections for Rhinoceros (Strawberry Workshop). Darrin frequently performs sketch comedy at the Pocket Theater with his group, Mischief, as well as by himself in a "Choose Your Own" style sketch show, which he will be doing two performances of as a part of Seattle Sketchfest in late September.
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DREW DAVID COMBS (ANTON) is an actor and playwright based in Seattle. He graduated from Cornish College of the Arts in 2014, BFA Theatre, with a concentration in Original Works. His senior project, Book of Daniel, was selected for the Cornish New Works Festival and staged as a reading directed by Wayne Rawley. Favorite onstage credits include The Word in Ballard Underground's Battle of the Bards, Paul/Marita in Parley's Magpie and Marita, and Josh in John Baxter is a Switch Hitter at the Intiman. Drew is very excited to be a part of Anton and hopes you enjoy the show!
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ANJELICA McMILLAN (SABINA) is so excited to be performing in her second workshop with Parley! Regional: Hamlet (The Horse in Motion), Row Yr Boat (Annex Theatre), Neighborhood 3: Requisition of Doom (Theatre Schmeater), When a Tree Falls (Parley), Quickies 17 (Live Girls!) Hairspray (Seattle Musical Theater) and the staged reading of Don't Call it a Riot at the Neptune Theater. Television: Portlandia. BFA from Pacific Lutheran University. Anjelica would like to thank her family—and especially Spencer—for their love and support.
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JULIAN GARCIA (THEO) is thrilled to be collaborating with Parley once again. Anton is the 5th time he will be performing with the incredible Seattle actors and creative minds behind Parley. Julian is an actor from Big Spring, Texas. He’d like to thank Rebecca Tourino Collinsworth for creating amazing moments, Brian for writing such an engaging play, the cast, and the rest of Parley for always making this fun. Enjoy the show!
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SYDNEY MALTESE (DECIMA) is, as ever, honored to be part of another Parley production and surrounded by so many warm and wonderful minds. Past Parley credits: About Marilyn and Iguazú by Julieta Vitullo, Little Brother's Body by drew david combs, and This Pleasant Prison by Katherine Jett. Sydney most recently appeared in a reading of Peeling as part of Sound Theatre Company's ILLUMINATE reading series, celebrating works by and for deaf and disabled artists and promoting radical inclusion in theater. You can find her next in eSe Teatro's production of The Journey of the Saint at ACT this September, or at her day job at the Northwest Immigrant Rights Project where she works as a legal advocate.
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PREMA SMITH (NONA) is thrilled to be preforming in Anton, she is obsessed with the collision of past and present and this play just screams "aaaaaaah!" She is a senior at the University of Washington studying Anthropology and Creative Writing. Some of her most recent performances include UW's latest production of The Blank Monologues and UTS Improv's winter and spring shows. Tip: if you want to win her favor, she loves herself a good ol' slam poetry and open mic session.
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SIENNA BURNETT (MORTA) is a queer femme actor and poet based in Seattle, WA. She graduated from the University of Northern Colorado in 2015 with a Bachelor of Arts degree in Acting. Past credits include: LIONS (Supporting Lead), director Justin Zimmerman; Parts of Hudson (Foster), director Rebecca Tourino Collinsworth; and The Other Town (Allie), director Rebecca Tourino Collinsworth. She has performed and taught poetry nationally, and her work has been featured on Buzzfeed, Button Poetry and Write About Now.
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death in the digital age, by drew david combs
July 2018
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Parley presents the staged reading
of a world premiere play! death in the digital age written by drew david combs directed by Rebecca Tourino Collinsworth featuring drew david combs emily pike Friday, July 13 7 pm The Conservatory (5813 Airport Way S) pay what you will generously sponsored by Seattle Playwrights Salon Videography by Tom Speer ======> |
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This Pleasant Prison, by Katherine Jett
July 2018
Most women in 17th century Venice had two options: marry or become a nun—and they didn’t get to choose. For unwilling brides of Christ, a convent truly was a prison. With no religious calling nor hope of seeing the outside world again, many took advantage of what pleasures they could, be they against the rules of their order or downright illegal. Within the walls of one Venetian convent, seven nuns are coping with monastic enclosure in vastly different ways. When they fall under investigation by the city’s magistrates, they face crises of faith and mortal danger as trespasses are revealed and actions are called to account. Hidden history comes to light in a fictional story of female agency in a time when it was forbidden.
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Parley presents a world premiere workshop production. This Pleasant Prison by Katherine Jett directed by Rebecca Tourino Collinsworth production assistance by Dustin Hageland featuring: Cynthia Geary Colleen Carey Tatiana Pavela Isis King Emily Pike Sydney Maltese and Melanie Hampton 9 July 7 pm West of Lenin |
A Seattle native, COLLEEN CAREY (FIORENZA) began working as a professional actor at the age of five. She gained early admission to the prestigious Los Angeles County High School for the Arts (featured in the documentary films “Fame High" and “Shakespeare High”) and continued her education at the North Carolina School for the Arts. As a stage actor, Colleen has performed in over thirty Seattle-based productions, including Seattle Times Footlight Award winners Edmond and Café Nordo. She was nominated for a Theater of Puget Sound Gregory Award for her work in All Through the Night at ArtsWest. Most recently she was seen in the immersive cabaret Storyville Rising (Winner - Brassy Award, New Orleans. Featured in HuffPost Weird News) and Rebel Kat Productions’ Coriolanus: Fight Like a Bitch (Winner - Seattle Times Footlight Award: Best and Most Notable Local Theater 2018). Film and Television credits include: “Ticket Out” with Ray Liotta, Alexandra Breckenridge and Billy Burke; “Bigfoot” with Danny Bonaduce, Barry Williams, Bruce Davison and Cynthia Geary; “Different Drummers” (Winner-Grand Remington, WorldFest Houston International Film Festival), “The Boy Who Lived Before” (Riverside Film Festival, NW Film Forum Local Sightings Film Festival). Currently, Colleen can be seen as ‘Zeta’ in “The Scottish Play” (now streaming on Amazon Prime) and as the Mother in “The Son, the Father” (Winner- Best Screenplay, Hollywood Short Film Festival. Best Actress: Horrorhound Film Fest, Best Film: September 2017 Austin Revolution Film Festival).
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CYNTHIA GEARY'S (GRATIA) Seattle theatre credits include Book-It Repertory productions Giant, The Awakening, A Confederacy of Dunces, and Truth Like the Sun. She is a member of Theatre 912, and has performed in their productions of Blithe Spirit and The Equation.
Cynthia is best known to TV audiences for her Emmy nominated role, Shelley Tambo, on the series “Northern Exposure.” Her feature film credits include “8 Seconds,” “Smoke Signals,” “Expiration Date,” “Crimes of the Past,” “Ira Finkelstein’s Christmas,” and “Nothing Against Life.” 
MELANIE HAMPTON (CHIARA)
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TATIANA PAVELA (FAUSTINA) is a Seattle-based actress & theatre artist who gravitates toward new devised work, physical theatre and heightened language. During her time in New York, she has performed at the New Ohio, Chashama, Dixon Place, La Mama ETC, HERE Arts Center, Tribeca Performing Arts Center, CATCH Performance Series and PS 122 (to name some favorites). She has been a performer and collaborator with companies such as Drama of Works, Sightline Theatre Company, Obie award winning Theatre of a Two-Headed Calf and was a puppeteer for the Mabou Mines/Basil Twist production of Red Beads. She was most recently seen as Gertrude/Ghost/Player Queen in The Horse In Motion's critically acclaimed Hamlet. Outside of New York and Seattle, Tatiana has worked in Minneapolis, Providence, Finland, Indonesia and Serbia. MFA from University of Washington PATP; BFA from NYU Tisch School of the Arts.
Her original works include Brandi Alexander, El Diablo and Buttercream & Scotch (co-written with Paige Collette). She is a recipient of a 2017 Artist Trust Award for Brandi Alexander. www.tatianapavela.com |
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SYDNEY MALTESE (MARIETTA) is an actor and writer from Seattle with roots in northeastern Ohio. As a person who identifies with disability, Sydney is passionate about making the arts accessible for and representative of all. She is therefore proud to be a part of Parley’s efforts, and was most recently seen in Parley productions Iguazú and About Marilyn, both by Julieta Vitullo, and Little Brother's Body, by drew david combs. She would like to plug her day job at the Northwest Immigrant Rights Project, where she is part of a team of fierce advocates for immigrants and refugees and for justice in our immigration system.
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Little Brother's Body, by drew david combs
June 2018
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Parley presents a world premiere workshop production.
Little Brother's Body by drew david combs directed by Rebecca Tourino Collinsworth production assistance by Dustin Hageland |
featuring:
Myriam Baillargeon Julian Garcia Isis King Sydney Maltese Emily Pike Steven Sterne and Christa Thielen |
19 June
7 pm West of Lenin |
EMILY PIKE (ELI) is a Seattle-based actor, musician, and teacher who graduated from Cornish College of the Arts with a BFA in Theater. She has been involved in a number of Parley workshops in the past, and is delighted as always to be working with such thoughtful artists in the development of new work. Recently, she has appeared in Silhouette (Annex Theatre) and The Inappropriate Suitor (Ghost Light Theatricals), and in the winter months she works as a teaching artist for Freehold's Engaged Theater program. When she isn't performing or teaching, you can find her at Pike Place Market selling eggs, books, and spices.
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JULIAN GARCIA (DAVID) is thrilled to be collaborating with Parley once again. Little Brother's Body is his 4th time he will be performing with incredible Seattle actors and the creative minds behind Parley. Julian is an actor from Big Spring, Texas. He’d like to thank Rebecca Tourino Collinsworth for creating amazing moments, Drew for writing such an engaging play, the cast, and the rest of Parley for always making this fun. Enjoy the Show!
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SYDNEY MALTESE (CALI) is an actor and writer from Seattle with roots in northeastern Ohio. As a person who identifies with disability, Sydney is passionate about making the arts accessible for and representative of all. She is therefore proud to be a part of Parley’s efforts, and was most recently seen in Parley productions Iguazú and About Marilyn, both by Julieta Vitullo. She would like to plug her day job at the Northwest Immigrant Rights Project, where she is part of a team of fierce advocates for immigrants and refugees and for justice in our immigration system.
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ISIS KING (KATHLEEN) is thrilled to be returning to Parley for Little Brother's Body, and in the company of such an amazing cast & playwriting team! Favorite past Parley shows include: Crooked Grace, Maiden Voyage, Venus, Beautiful Moon, A Long Dark Ride, and Joy Ride. Other favorite theatre credits include: The Inapproriate Suitor with Ballard Underground; Unexpected Wilderness with Annex Theatre; also Studio4Seattle. Film/TV credits: "The Good Wife," "Smash"; Commercials: Ford, Progresso Soup, Gas-X. BA in Theatre from CUNY Hunter College. Much love to my husband and #1 fan Jim! Look for Isis next in Parley's upcoming production of This Pleasant Prison in July, and Pratidhwani's production of Queen at ACT in August!
After studying multiple disciplines including journalism, production and screenwriting - interspersed between travels around the world - MYRIAM BAILLARGEON (DR. CALLAGHAN) eventually found herself at the doorstep of a Meisner acting class and decided it was time for her to pursue her childhood passion. She then decided to dedicate all of her time to acting and writing, and it was at this point of declaration to the universe that opportunities soon arose. She began acting in a profusion of short films and is currently acting in various plays. Aside from acting, Myriam is busy at work writing children's stories, plays and feature films.
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Snowbound, by Susan McNally
May 2018
At 44 years of age, Scott’s in a deep rut: He’s depressed, unemployed, and living with his mother, Jean. Then a blizzard begins to rage. When Jean surprises him by inviting over his best childhood friend, secrets and regrets threaten to engulf them all. Snowbound is a story of both the joy and the burden of love.
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Parley presents a world premiere workshop production.
Snowbound by Susan McNally directed by Rebecca Tourino Collinsworth production coordination by Hannah Merrill production assistance by Dustin Hageland |
featuring
Maureen Hawkins * Dara Lillis Colleen Carey May 22, 2018 7 pm West of Lenin * appearing courtesy of Actors' Equity Association |
DARA LILLIS (SCOTT) is an actor based in Seattle. He is delighted to return to Parley after a wonderful debut in About Marilyn in October 2017. 2018 has seen him appear in Visiting Cezanne at 18th & Union and 'The Dumb Waiter' at Bremerton Community Theatre. Other stage credits include A Great Hunger at On the Boards, Alcestis with Irrational Robot Bureau, Love Song and Molly Sweeney with KTO Productions, and Amadeus and A Midsummer Night’s Dream at Bainbridge Performing Arts. He is an ensemble member with Lucia Neare’s Theatrical Wonders and a board member with Freehold Theatre. This team is crazy talented, he is honored to be in the room with every single one of them.
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MAUREEN HAWKINS (JEAN)* has enjoyed a long and varied career as a professional actor on stage, screen and as a commercial voice-over artist and teacher. She has also directed shows on some of Seattle’s small stages and schools. She is very happy to be working with Sue and Rebecca, Dara and Colleen in a role that will go down as one of her all-time favorites. Keep writing great roles for older actors, Sue!
*Appearing courtesy of Actors' Equity Association |
A Seattle native, COLLEEN CAREY (CASSIE) began working as a professional actor at the age of five. She gained early admission to the prestigious Los Angeles County High School for the Arts (featured in the documentary films “Fame High" and “Shakespeare High”) and continued her education at the North Carolina School for the Arts. As a stage actor, Colleen has performed in over thirty Seattle-based productions, including Seattle Times Footlight Award winners Edmond and Café Nordo. She was nominated for a Theater of Puget Sound Gregory Award for her work in All Through the Night at ArtsWest. Most recently she was seen in the immersive cabaret Storyville Rising (Winner, Brassy Award, New Orleans. Featured in HuffPost Weird News) and Rebel Kat Productions’ Coriolanus: Fight Like a Bitch (Winner, Seattle Times Footlight Award: Best and Most Notable Local Theater 2018) Film and Television credits include: “Ticket Out” with Ray Liotta, Alexandra Breckenridge and Billy Burke; “Bigfoot” with Danny Bonaduce, Barry Williams, Bruce Davison and Cynthia Geary; “Different Drummers” (Winner, Grand Remington, WorldFest Houston International Film Festival), “The Boy Who Lived Before” (Riverside Film Festival, NW Film Forum Local Sightings Film Festival). Currently, Colleen can be seen as ‘Zeta’ in “The Scottish Play” (now streaming on Amazon Prime) and as the Mother in “The Son, the Father” (Winner- Best Screenplay, Hollywood Short Film Festival. Best Actress: Horrorhound Film Fest, Best Film: September 2017 Austin Revolution Film Festival.)
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Iguazú, by Julieta Vitullo
April 2018
One location has haunted Nora since she was six: Her visits to the Iguazú Falls have come to symbolize everything she's gained and lost since she left her home country to be a geology professor in the States. Engaged to an American-born academic, orphaned by her family and by language itself, Nora struggles to master lucid dreaming in order to navigate the turbulent waters of a recent trauma. Now, with the help of a serpent parrot god, Nora must walk the blurry line between reality and dream, land and abyss, history and myth to find home again.
SYDNEY MALTESE (NORA / NAIPÍ) Sydney is a writer and actor originally from Canton, Ohio, where she first fostered a love for community arts. As a woman with a disability, she is particularly passionate about the representation of people of all abilities and backgrounds onstage. She has worked for four years in Seattle as an immigrant rights and education policy advocate. Most recently, she appeared in Parley's production of Julieta Vitullo's About Marilyn as Marilyn. Favorite onstage credits include Star in John Lennon and Me, Peter Quince in A Midsummer Night's Dream, Mama Noah in Children of Eden, Grumio in The Taming of the Shrew, Alice in Alice in Wonderland, and a myriad of comedic cameos in original works by her good friends.
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RAÚL E. PEYRET (EMILIO / MBOI) is an Argentinian-American actor born in Córdoba, Argentina. He fell in love with theatre at a very young age. In 2000 he moved to the Pacific Northwest where he completed most of his acting training. Raúl is passionate about live theatre, and how it enables performers and audiences to share and connect with stories in such intimate and personal way. He is thrilled to be part of the world premiere of Iguazú and thankful to Rebecca and Julieta for the opportunity. This is Raúl’s first appearance in a Parley workshop. Raúl was last seen as Taylor in K2, by Patrick Meyer (Black Dog Theatre). He has also appeared in A Streetcar Named Desire, directed by L. Zane Jones (New City Theatre), and in other Seattle theatre, feature, commercial and short films productions. Raúl is represented by Topo Swope Talent.
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TADD MORGAN (THOMAS / TAROBÁ) is thrilled to be working with Parley again. He was initially trained at Youth Theatre Northwest, and later at Bennington College. He also works as an admission counselor at Cornish College of the Arts. His other interests include cycling and icosahedrons.
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Crooked Grace, by Hannah Merrill
February 2018
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<======Videography by Tom Speer. |
When a Tree Falls, by Amontaine Aurore
February 2018
Rocky Styles has a lot to carry on her 17-year-old shoulders. She's already dropped out of high school to take care of her ailing mother.
Now she's selling the furniture to stave off the bank's imminent foreclosure on their home.
But then a stranger arrives who just might change Rocky's family forever.
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Parley presents the world premiere workshop of a new play. When a Tree Falls a story of family, denial, and broken roots by Amontaine Aurore directed by Rebecca Tourino Collinsworth production coordination by Hannah Merrill featuring Imani Woodley Rachel Glass * Alice Bridgforth Terry Boyd Zoe Wolf Anjelica McMillan * Member, Actor's Equity Association Tuesday, 13 February 7 pm 18th & Union |
RACHEL GLASS (LLEWELLYN) was recently seen at Seattle Shakespeare Company as Tamora, Queen of the Goths in Titus Andronicus, as well as outdoors, as part of the singing Quintet & Lucetta in SSC’s doo-wop sensation The Two Gentlemen of Verona. Regional theatre appearances include New York, Los Angeles, the San Francisco Bay Area, and Nashville. Locally, Rachel has worked with Seattle Children’s Theatre, Book-It Rep., Bridges Stage Co., and 14/48, to name a few. Rachel has starred in several films, two of which received top honors at the Santa Barbara, Los Angeles and Malta International Film Festivals. She was also featured opposite Sharon Stone in the film Last Dance. Rachel recorded regularly with Jim French Productions’ Imagination Theatre, which produced nationally syndicated and live radio programs. Additionally, Rachel currently records audio books and voiceovers, and has interviewed scores of local, national and best-selling authors for a local radio show!
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IMANI WOODLEY (ROCKY) is an actress born and raised in Seattle, Washington. She started her career initially as a dancer and transitioned into a theatrical concentration when she was 12 years old. Imani has been in 13 theatrical productions and 6 staged readings in her life so far. Her recent credits include the role of Agent Donna Redford in the Core Ensemble’s reboot of Traffick by Spencer Funk, Shelby in Baltimore (Cornish College of the Arts), directed by Malika Oyetimein, Seada in a staged reading of Necessary Targets, directed by Lamar Legend (Seattle Repertory Theatre), and Cora Groves in The Rimers Of Eldritch directed by Kate Myre. In December 2017 Imani received her B.A in theatre from Cornish College of the Arts. In August 2018 Imani is making her professional debut in Village Theatre’s Hairspray. Imani believes in the transformative power of theatre--as a social, political, emotional, and humanistic force.
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ANJELICA MCMILLAN (CLEO) is so honored to be originating the role of Cleo in When a Tree Falls. It's so enriching to be a part of this unique creative process. Other Seattle credits include Row Yr Boat - Achievement Unlocked (Annex Theater), Neighborhood 3: Requisition of Doom (Theater Schmeater), Quickies 17 (Live Girls!) and the staged reading of Amontaine Aurore's Don't Call it a Riot at the Neptune Theater last summer. This spring, you can catch her in Hamlet with The Horse in Motion. Anjelica holds a BFA in Theater from Pacific Lutheran University. She would like to thank her husband and family for their love and support.
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ALICE BRIDGFORTH (MRS. SALLY) trained for the stage in London and at UW. Theatre credits include: Fractured (BASH), My Dear Miss Chancellor (Annex), The Lower Depths (Theatre Machine), Wyrd Sisters and Blood Wedding (Open Circle), Endgame (Two Hours' Traffic), Richard III (GreenStage), The Last Night of Ballyhoo and Crossing Delancey (Seattle Jewish Theater Company), Fall Off Night (Macha Monkey / Live Girls!), Helsinki Syndrome's Main Event (On the Boards). Film and television credits include: The Catechism Cataclysm (dir Todd Rohal), The Off Hours (dir. Megan Griffiths), Manbaby (dir. Tim Lightell), M.O.P.Z. (dir. Todd Rohal, for Adult Swim), and the award-winning web series Manic Pixie Dream Wife (dir. M Elizabeth Eller). Alice would like to extend a heartfelt thanks to Amontaine and Rebecca for the chance to revisit the world of this beautiful play.
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ZOE WOLF (BRIANNA)
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TERRY BOYD (WARREN SALLY) is very pleased to be back at Parley, having appeared in past productions Ask Marilyn and Let Me Tell You About Love. He’s appeared on stage at Sound Theatre, Annex, Theater Schmeater and numerous productions of Medicine Ball: Playwrights vs Poets. He has sung and (cough cough) danced in The Drowsy Chaperone, A Funny Thing Happened… and Thugs! Terry is also a co-producer of Lamplight Productions. Look for their production of Alan Ayckbourn’s Communicating Doors, opening at The Ballard Underground in August!
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No Strings Attached, by Greg Brisendine
December 2017
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Parley and Bitter Single Guy Productions present a fully-staged world premiere production! No Strings Attached a new play by Greg Brisendine directed by Rebecca Tourino Collinsworth Starring Janet Hietter Nancy Titus Zerg Dawn Cornell Gretchen Douma Kelly Johnson December 1 - 16, 2017 18th & Union videography by Tom Speer |
Stage Management: Liza Vaughn
Set Design: Silas James Costume Design: Kristina Hestenes Stimson Lighting Design: Zanna King Sound Design: Mario Gomez Graphic Design: Roy Arauz Marketing: Chad Keith |
GRETCHEN DOUMA (BEATRICE) is a 30-year theater vet and proud of it. She is thrilled to bring NSA to the stage after originating the role of Bea in Parley’s world premiere staged reading about a year ago. Recent favorite roles include: Virginia Carpolotti (Three Viewings, 18th & Union), Allie (A Dog Dreams) and Anne (Hospice: A Love Story; both from The Grief Dialogues), Sheila (Terra Incognita, Annex), Lydia (Still Life, Forward Flux). A Parley Associate Artist, she is also the author of Baby Talk, her first foray into playwriting. Huge thanks to Greg and Rebecca for their creative gifts and to Nina for her infinite patience and support. Ladies, let’s keep those cards moving!
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NANCY TITUS ZERG (EMILY) made her professional debut at the Old Globe Theater in San Diego at eighteen and won a Best Supporting Actress award for her performance. She worked on stage in San Diego and Los Angeles, appearing in over forty productions. She studied acting with Michael Shurtleff in Los Angeles. Nancy quit acting to raise her daughter. After moving to Seattle three years ago she did the workshop production of No Strings Attached and has since appeared in Parley’s Magpie and Marita and Hospice. She is honored to have worked with the talented people who make up Parley.
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DAWN CORNELL (DEVORAH) is thrilled to be part of this fabulous new project. Keep writing, Greg! A few of her favorite shows include Game’s Afoot at RCT, Cemetery Club at Red Curtain and Crossing Delancey at Phoenix. She got her BA in Theatre at UW and then studied at AADA in NY a long time ago! She has filmed a commercial for Amazon and continues her love of live theatre at Driftwood, SMT, Parley, RCT, and others in area. Thank you for your love of this wonderful art. And a big YAY to Anna, Halle, Dan, Zack and Patrick. Your support is amazing and I cherish you all.
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JANET HIETTER (GRACE) has performed staged readings; On Cabin Creek with Seattle Playwrights Salon and Inherit the Wind at Town Hall; in Freehold’s Ensemble Training Intensive; Stone Soup Theatre and Seattle’s One-Minute Play Festival at ACT. Film credits include The Statistician, Rogue Saints, Distant Beats and Last Rites. In Ohio, Janet performed with Contemporary American Theatre Company in Life and Limb, Independence, and Talking With; Players Theatre Columbus in The Incredible Murder of Cardinal Tosca, Summer and Smoke, Romantic Comedy, You Can’t Take It With You and Mister Roberts; The Ohio State University, and in several corporate training films and television commercials.
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KELLY JOHNSON (JANE) is hugely excited to be doing this fully staged production of No Strings Attached. Her most recent projects included Money and Run at the Schmee, and Scary Mary and the Nightmares Nine at Annex. Kelly would like to thank Greg and Rebecca for this great story. Lastly a huge thank you to Vandyman who runs lines, and keeps an endless run of red wine for long days.
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Parts of Hudson, by drew david combs
December 2017
Five recent art school grads have come into sudden possession of Hudson's dead body, next to a note with an unusual request.
Now they must agree on how to carry out their friend's final wishes.
Now they must agree on how to carry out their friend's final wishes.
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Parley presents a world premiere workshop
Parts of Hudson by drew david combs directed by Rebecca Tourino Collinsworth production coordination by Hannah Merrill Featuring: Emily Pike Grace Carmack Sienna Burnett Joshua Giron Mitchell Shohet and Robert Warren Gilmore as Hudson Videography by Tom Speer =======> |
Tuesday, December 5 7 pm West of Lenin |
EMILY PIKE (KITTY) is a Seattle-based actor and musician with a BFA from Cornish College of the Arts. Recent performances include The Inappropriate Suitor (Ghost Light Theatricals) and Scary Mary and the Nightmares Nine (Annex Theatre). Beyond her work as an actor, she uses her degree in her work as a teaching artist for Freehold Theatre's Engaged Theatre program. She is absolutely delighted to be working with Parley again, and to be digging into this bizarre and challenging text with such a thoughtful group of artists. When she isn't lurking around a theatre, you can find her all over Pike Place Market, selling eggs, books, and spices.
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GRACE CARMACK (JESSUP) is a Seattle-based performer, playwright, and poet whose work focuses on queerness, trauma, and the various ways love manifests in our lives. Grace graduated from Cornish College of the Arts in 2014 with a BFA in theater and a focus in Original Works. Prior to Cornish, her training consisted of ballet, jazz, tap, modern dance, and Irish step dancing. She most recently performed as Molly in Forward Flux’s production of Las Mariposas Y Los Muertos and her plays Insufficient and The Other Side of Silence were produced as staged readings in 2016 by Parley Productions.
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SIENNA BURNETT (FOSTER) is a queer femme actor and spoken word artist. She graduated from the University of Northern Colorado in 2015 with a Bachelor of Arts degree in Acting. Sienna has performed and taught poetry in venues and universities across Colorado, Washington, Montana, and New York. Her poetry has been featured on Buzzfeed, Button Poetry & Write About Now. Past credits include: Allie, The Other Town (Parley 2017) Featured Poet: The Round (Fremont Abbey Arts 2017), Ensemble Player, Love, Loss & What I Wore (Big Sofa Productions 2016), Featured Poet: West Point Military Academy TBTN Rally (USMA 2016).
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MITCHELL SHOHET (RUSH) moved to Seattle after graduating from Boise State University December 2015. He has since performed onstage in Funhouse 1 and 2, on screen in Z Nation season 4, and in smaller projects both amateur and professionally. He is excited to debut with Parley Productions and work with Rebecca and the fam. Hobbies include breathing, board games, video games, writing, dancing, drawing, struggling with deep existential crisis, and pretending to be an adult on weekdays. He currently lives with his wife and their monster cat named Zelda.
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JOSH GIRON (CREW) lives in Lynnwood, Washington where he is currently working as an actor. He attends Cascadia College and is planning to transfer to SPU or UW for a master of fine arts in acting. Josh enjoys dancing and cooking and previously kept his passion for acting a secret from friends and family until recently. Because of this, he hasn’t been taken seriously ever since and is planning to move to Cali for his "big break," that may or may not happen in hopes of keeping his dream alive.
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About Marilyn, by Julieta Vitullo
October 2017
October 2017
It's the early eighties in a New Jersey suburb and Marilyn, a nineteen-year old woman in a wheelchair, lives quietly with big dreams.
While her domineering brothers feud over the family inheritance, Marilyn gambles on an impossible way out.
Will her rare imagination be her strength as she tries to change her destiny?
While her domineering brothers feud over the family inheritance, Marilyn gambles on an impossible way out.
Will her rare imagination be her strength as she tries to change her destiny?
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Parley presents the world premiere workshop of a new play.
About Marilyn by Julieta Vitullo directed by Rebecca Tourino Collinsworth production coordination by Hannah Merrill with special design by Matthew Smith featuring Sydney Maltese Terry Boyd Dara Lillis Monday, October 30 7 pm West of Lenin *Content advisory: Mature themes and references to sexual violence. |
DARA LILLIS (GEORGE) is a longtime Parley fan, excited to be making his debut with the company. He is an actor and movement artist originally from Dublin, Ireland, now based in Seattle. Selected recent credits: A Great Hunger with General Magic/On the Boards, Alcestis with Irrational Robot Bureau, and Love Song with KTO Productions. He is an ensemble member with Lucia Neare’s Theatrical Wonders and a board member with Freehold Theatre. He sends thanks to Julieta for the words, Parley for the space to play, and ED for everything. Dara invites you (with a hat-tip to Seamus Heaney) to “walk on air against your better judgement.”
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SYDNEY MALTESE (MARILYN) is a writer and actor originally from Canton, Ohio, where she first fostered a love for community arts. She has worked for three years in Seattle as an immigrant rights and education policy advocate. Favorite onstage credits include Star in John Lennon and Me, Peter Quince in A Midsummer Night's Dream, Ursula in Much Ado About Nothing, Grumio in The Taming of the Shrew, Alice in Alice in Wonderland, and a myriad of comedic cameos in original works by her good friends.
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TERRY BOYD (TONY) is fresh off the stage from Three Viewings at 18th and Union. This year he has been seen in Lamplight Production’s Vanya and Sonia and Masha and Spike at the Bathhouse, The Drowsy Chaperone at Driftwood Players, and My Man Godfrey at Theater Schmeater. He’s also been seen at Sound Theater Company, Annex, and too many "Medicine Balls" (Playwrights vs Poets) to count.
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Hospice, by Elizabeth Coplan
October 2017
Adult sisters Lucy and Anne return to Southern California to take their mother, Mary, to Disneyland - a tradition they've maintained on the revered family calendar for years. But Mary's cancer has metastasized, her health is in rapid decline, and the calendar hasn't prepared the family for any of it. As petty feuds and painful secrets threaten to eclipse Mary's final day, Lucy and Anne must find a way to say goodbye without regrets.
MARGARET VANDENBERGHE (MARY) is glad to be working with Parley once again, saying, "The artistic leadership Rebecca brings to her group of students is a force that will grow our community and the world of writing." Margaret very happy to be an actor Parley contacts to grow the process.
NANCY TITUS ZERG (LUCY)
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JOANNE BURGER (ANNE) is a Seattle-based artist and actor who is returning to acting after taking a few years off to have a second child. She enjoys taking part in productions of all kinds, with a particular taste for drama and dark comedy, and is excited to take part in her first production with Parley. When she isn't acting, Joanne can be found in her studio making art jewelry or in a park wrangling two kids.
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JAMES WILSON (MICHAEL) was born and raised in South Bend, Indiana. He has a Theatre Degree from Indiana University. After moving to NYC he became a member of the Lexington Conservatory Theatre. In New York City he studied acting at HB Studios with Austin Pendleton and Uta Hagen. James served as the Theatre Arts Teacher at Bothell High School for 22 years. At BHS he directed over 35 full length plays and musicals. He has a Masters from Lesley University and also studied theatre at Central Washington University. His most recent projects include: playing the multi character (11 different characters) in Leaving Iowa, playing Al in The Philadelphia at Freehold Studio and directing Comfort Zones at the Driftwood Players Evening of Short Plays. James has written an adaptation of The Cradle Song, which he hopes to see produced soon. He is very grateful for the support of his wife Susan and his family and friends.
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GRETCHEN DOUMA (BLAIR) is thrilled to return to Parley to participate in Hospice. She recently participated in The Grief Dialogues, another project exploring death and dying, written and produced by Elizabeth Coplan. And she just appeared in a limited run of Jeffrey Hatcher’s Three Viewings, here at 18th and Union, yet another play that explores the impact of death on those left behind. Do you see a theme developing here? In December the mood lightens considerably when she appears in No Strings Attached, a comic look at life in an "independent living" facility, written by Greg Brisendine. Four female friends navigate the challenges of sex, love and golf carts and what it means to live life to the fullest. You might have also seen Gretchen performing around Seattle at Annex, Arts West, Forward Flux, Live Girls, Second Story Rep, Taproot, TART, or 14/48, to name just a few. She is now also exploring the world of playwriting and has just completed her first full-length play Baby Talk, with more playwriting yet to come. Love to Nina
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The List, by Greg Brisendine
September 2017
Parley presents a world premiere workshop.
Three Americans walk into a bar in the Dubai International Airport, eager to board their connecting flight. But against a no-fly list and personal secrets, only two of them will make it home. The List is a play about who the bad guys really are.
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The List by Greg Brisendine directed by Rebecca Tourino Collinsworth production coordination by Julieta Vitullo featuring Jenna Elliott Chris Martinez Tom Fraser Sameer Arshad |
Monday, September 25 7 pm Jewelbox Theater (at the Rendezvous) |
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<==== Videography by Tom Speer |
JENNA ELLIOTT (JANET) is an artist, writer, leader, and now actor living in Seattle. She studied dance, voice and performance in her youth, and recently revived her passion by studying acting at Freehold Theater and Gilmore Studios. She is thrilled to debut with Parley Productions.
SAMEER ARSHAD (GUARD, FARHAD) is a Seattle-based playwright, actor and producer. The List is his stage debut. He is also on the board for Café Nordo and Washington Ensemble Theatre. He is passionate about equity in the arts and the portrayal of Middle-Eastern, South-Asian and Muslim heritage people in the media. He has Arab, Persian, Turkish and Indian heritage. He is a computer engineer and also a linguist. He is currently finishing his Master of Science degree in Computational Linguistics at the University of Washington. His full-length play Crewmates will be running for six-nights at Annex Theatre in May 2018.
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CHRISTOPHER MARTINEZ (MARK) is excited to be part of this production with Parley. Christopher has a BFA in Acting, as well as completion of conservatory training from PCPA. Christopher was last seen in Playlist Seattle's Everyone Wants to Love Your Beating Heart. He would like to thank his friends, family and friends who have become family for their love and support.
TOM FRASER (BRUCE) has been involved in Seattle theater and film since moving to Seattle from New York late last century, and is happy to be participating in his first production with the fine folks of Parley. Favorite previous roles include: Joe Moore in Tigers Be Still (Catapult Theater), Ozzie in the Gregory Award winning UNDO (Annex Theater), Captain Lon McQuigg in The Racket (Theater Under the Influence) and a handful of fun shows with The 14/48 Projects.
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Best Friend, by Celeste Mari Williams
August 2017
August 2017
Chelsea’s friendship with her Honda, Bluella, is the longest relationship she’s ever had.
But when faced with a big choice about her own future, Chelsea embarks on a road trip that will determine Bluella’s fate … only to discover that Bluella’s got opinions and plans of her own. Who’s driving who, here? Can Chelsea and Bluella remain road buddies much longer?
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Parley presents a world premiere workshop. Best Friend by Celeste Mari Williams directed by Rebecca Tourino Collinsworth featuring Emily Jo Testa Marie Bolla Owen Yen production coordination by Hannah Merrill Tuesday, August 29 7 pm The Jewelbox Theater at the Rendezvous (2322 2nd Ave, Seattle) <=====Videography by Tom Speer
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MARIE BOLLA (BLUELLA) is thrilled to be in her third Parley show as Bluella! Marie graduated from Freehold Studio's Ensemble Training Intensive (ETI) in June 2015, where she was a recipient of the Diversity Scholarship and previously completed the one-year Meisner intensive. While in ETI she created and performed in her solo show, A Mythology. She also performed in Shakespeare's All's Well That Ends Well with ETI and Freehold's Engaged Theater Tour. Marie most recently performed in ACT Theatre's ACTivate Reading with The Umbrella Project as well as Seattle Public Theatre, Copious Love and as the titular role in Alcestis with the Irrational Robot Bureau Co. She has been seen in several roles in both 14/48's Catharsis and the Pocket Theater's Fringe Month. Previous to that, she combined her love of science and theater with Infinity Box Theater's Galileo Dialogues. Marie has also been seen with Playlist Seattle, Annex Theatre, Sound Theatre and Parley's The Orchid and The Skull as well Short Shorts. Thank you to Celeste, Rebecca, Emily Jo and Owen for letting me play again!
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EMILY JO TESTA (CHELSEA) is elated to make her Parley debut with this lovely crew. This is her second time working on a script by playwright Celeste Mari Williams, the first one being the short play Leanne's Bon Dance as part of SIS Production's Revealed: Celebrate Women, a site-specific walking tour performance in Seattle's International District. Drawn primarily to site-specific and devised works, she has worked with Blood Ensemble (Barn Show) and is an Artistic Associate with Akropolis Performance Lab (The Glas Nocturne, Ecce Faustus), which is currently in rehearsals for their upcoming production 730 Steps, an original adaptation of Crime & Punishment. (Akropolis Performance Lab) Previous stage credits include Do It for Umma at Theatre Off Jackson and Death of a Salesman at ArtsWest. She has also worked with Cafe Nordo, Theatre Battery, NW Playwright's Alliance, WARP Theatre, and ReACT. Her most recent film projects are A Meal with Dad, which is currently making the festival rounds, and the upcoming J-Horror inspired EMIKO, which will premiere December 2017. She is a graduate of Cast Iron Studio’s Talent Diversity Initiative.
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OWEN YEN (MEN) has been working as an actor and jazz musician in Seattle and Chicago for over 25 years, and is very excited to be back working with everyone at Parley again on this fantastic new play. In this play, he is very much looking forward to the opportunity to play the role that he was born to play – “men”!
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The Other Town, by Tré Calhoun
August 2017
August 2017
Declan can swap places with his 20-year-old self, but how much truth can he take? As he fights off the feeling that his wife’s been cheating on him for years, Declan gets caught between past and present – and between the half black/half white ethnicity he’s been trying to ignore.
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Parley proudly presents
a world premiere workshop The Other Town by Tré Calhoun directed by Rebecca Tourino Collinsworth featuring Daemond Arrindell Mykail Cooley Beth Cooper Sienna Burnett Robert Hankins Elena Joyner Drew Combs Tuesday, August 15 7 pm West of Lenin Access for All Ticketing: Parley is a Theater of Access, committed to making art that's affordable for everyone. In keeping with this value, we reserve 10 seats at each performance to distribute to our patrons free of charge. We release these tickets on a first-come, first-served basis beginning one hour before the show. Videography by Tom Speer =========>
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DAEMOND ARRINDELL (DECLAN) is a poet, playwright, performer, and teaching artist. He has performed in venues across the country and has been repeatedly commissioned by both Seattle and Bellevue Art Museums. As a teaching artist, he is a faculty member of TAT Lab: the Washington State Teaching Artist Training Lab; Freehold Theatre - leading poetry and theater residencies at Monroe Correctional Complex for men for over ten years; Adjunct faculty at Seattle University and Tacoma’s School of the Arts; Senior Writer-In-Residence through Seattle Arts & Lectures' Writers in the Schools Program and Skagit River Poetry Foundation. He is a 2014 Jack Straw Writer, a VONA Voices Writers’ Workshop fellow and his work has been published by City Arts, Poetry NW, Specter and Crosscut magazines. In 2013 he was chosen for “13 for ‘13,” a joint project between the Seattle Times and KUOW, profiling thirteen influential people in Seattle’s art scene. He featured alongside Sherman Alexie in TEXTure - a conversation amongst artists via their chosen mediums; was a featured poet in the 2016 Skagit River Poetry Festival; featured in KISS FEAR - a collaboration of poetry, sculpture and video in touching, powerful and sometimes darkly humorous ruminations on America’s weapon of choice; and co-adapted the highly acclaimed contemporary and satirical novel Welcome To Braggsville, by T. Geronimo Johnson, into a play for Book-It Repertory Theater. Braggsville debuted in June 2017.
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BETH A. COOPER (ALLIE I) is a veteran of the Seattle performing arts community. She has worked as an actor, singer, dancer, dialect coach, and dance and fight captain with numerous theater companies. She is proud to be a graduate of Cornish College of the Arts and to have been a long-time staff member with the Seattle Group Theatre. Offstage, she works as a physical therapist and Feldenkrais® movement teacher. She currently indulges her inner movement junkie by studying aerial acrobatics. Beth loves being a part of developing new works and she is thoroughly enjoying her first experience with the amazing artists at Parley.
ROBERT HANKINS (MERRITT) is excited to be making his first appearance with Parley. He studied theatre at Roosevelt University’s Chicago College of the Performing Arts. While living in Chicago he co-founded Red Tape Theatre where he served as Artistic Director for 3 years. His Seattle area credits include Guildenstern in Rosencrantz and Guildenstern are Dead, Carl in Lonely Planet, Mitch in Macha Monkey’s Thebes, Mortimer in Arsenic and Old Lace, and Renton Civic’s The Foreigner as David. He spends his days as an fundraiser for not-for-profit theatre.
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MYKAIL COOLEY (DEC) is 20 years old. He's grateful to be a part of this creative process. Originally from Denver, Colorado, he's been acting his whole life. He loves hip hop and anything having to do with black people or black culture.
ELENA JOYNER (STAGEHAND / MEG) is honored to be working with Parley for the first time. She is also very excited to be working with such a talented group of people. She is currently a student at Cornish College of the Arts. Prior to The Other Town, she was in Cornish's production of Sister Act at the Cornish Playhouse, where she played Deloris Van Cartier. Her work also includes Cornish's production of The Caucasian Chalk Circle and Into The Woods, in which she played the Witch. Before moving to Seattle from Boston four years ago, she studied music at Berklee College of Music.
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SIENNA BURNETT (ALLIE II) is a queer femme actor & spoken word artist. She graduated from the University of Northern Colorado in 2015 with a Bachelor of Arts degree in Acting. Past credits include: Featured Poet: The Round (Fremont Abbey Arts 2017), Ensemble Player, Love, Loss & What I Wore (Big Sofa Productions 2016), Featured Poet: West Point Military Academy TBTN Rally (USMA 2016). Sienna has taught writing workshops in Colorado, Washington, and Montana, and currently serves as the Community Ambassador at the Fremont Abbey Arts Center. Sienna’s poetry has been featured on Buzzfeed, Button Poetry & Write About Now.
DREW COMBS (STAGEHAND / GARY) is stoked to be participating in his second Parley reading! Prior to this he played Paul and Marita in Hannah Merrill's Magpie and Marita. Favorite credits include Josh in Intiman's John Baxter is a Switch Hitter, Whisper in Whisper's Gone at Seattle Children's Theatre, and The Word in Kayfabe at Ballard Underground. Drew is also a proud Parley playwright and looks forward to his own workshop later this year.
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The Wild-Hearted, by Andrew Lee Creech
June 2017
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Parley presents the world premiere workshop of a new play.
The Wild-Hearted by Andrew Lee Creech directed by Rebecca Tourino Collinsworth featuring Madison Jade Jones Lauryn Rilla Hochberg Mykail Cooley Aaron Cammack Monday, 5 June 7 pm West of Lenin Four millennials host a presidential election party to watch history in the making. But when the election takes an unexpected turn, hidden tensions that bubble to the surface threaten their solidarity. Lines are crossed, friends become strangers, and the party disintegrates into chaos. Chronicling the events of one epochal night, The Wild-Hearted examines love, race, and coming of age while an entire nation teeters on the edge of the unknown. Advisory: Contains hate speech, specifically a racial epithet Videography by Tom Speer
MADISON JADE JONES (NICOLE) feels pleased as punch to be working with the wonderful folks at Parley and reading the brilliant words of Andrew Lee Creech. She has recently closed ACME with Annex Theatre, The Untitled Play About Art School with Copious Love, and you can find her next at Café Nordo for Sundown at the Devil's House. She loves and adores her partners Matt and Chris for everything they do.
AARON CAMMACK (PARKER) is over the moon about his debut with Parley and for the invaluable opportunity of work-shopping Andrew Creech's stirring script. Recent Seattle credits include the role of Ethan Kane in Sex With Strangers at 12th Ave Arts, Berowne in Love's Labour's Lost with Seattle Shakespeare Company's Wooden O, Philip "Flip" Ranoni in Force Continuum, and Pippin in Pippin, to name a few. On screen within the last year, he has played Ted Bundy in Ted Bundy: King of Hearts, Olsen in Fool, and Chase in Long Time, My Friend. Aaron trained at Gately/Poole Acting Conservatory with Kathryn Gately and at The University of Washington's Professional Actor Training Program. Hailing from Chicago, he has there performed with such WindyCity groups as Interrobang, The Goodman Theatre, New American Folk Theatre, Transcendent Ensemble Theatre Co., and Studio22 Filmmakers. He wishes to tip his cap, as it were, to the great folks of Seattle for coming to the show!
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LAURYN RILLA HOCHBERG (GRACIE) has performed regionally with the Oregon Shakespeare Festival (Pirates of Penzance, Ghost Light, WILLful) and the Sebastopol Shakespeare Festival (Peaseblossom). In Seattle she has toured her one woman show An Actress Vs. William Shakespeare and performed with Book-It Repertory Theatre, Strawberry Theatre Workshop, Theater Schmeater, Printer’s Devil Theater, Annex Theater, and the 14/48 Theatre Festival.
MYKAIL COOLEY (MILES) is 20 years old. He's grateful to be a part of this creative process. Originally from Denver, Colorado, he's been acting his whole life. He loves hip hop and anything having to do with black people or black culture.
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Maiden Voyage, by Rebecca Tourino Collinsworth
May - June 2017
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"Maiden Voyage nicely refashions classic saga into modern, intimate tale," says The Seattle Times.
Read the full review here. Penelope’s heroic husband has been away from home for nearly twenty years, while Penelope has been running his estate, raising his college-bound son, and winning acclaim for writing a book about him called The Odyssey.
It’s all going well for Penelope, until the long awaited, battle-weary subject of her book returns home, ready to take his life – and hers – back. Featuring a fraught artistic process, erotic jealousy, and a blow to the head, Maiden Voyage is a dramatic departure from the ancient story you thought you knew. 
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On May 26, Parley presents
our first fully-staged production. MAIDEN VOYAGE written & directed by Rebecca Tourino Collinsworth starring Jenn Ruzumna Isis King Beau M.K. Prichard Randall Scott Carpenter Jon Stutzman May 26 - June 11 West of Lenin 203 N 36th Street, Seattle Thurs. - Sat. at 8 pm Sun. at 2 pm Associate Producer: Ali el-Gassier Assistant Director: Grace Carmack Stage Manager: Alexandra Hamill Assistant Stage Manager: Emily Doyle Scenic Designer: Timothy Firth Lighting Designer: Matthew Webb Costume Designer: Tamara Somerfield Fight Choreographer: Brandon Collinsworth Sound Designer: Brian Dang Props Designer: Grace Carmack Marketing/PR: Julia Nardin |
JENN RUZUMNA is thrilled to be returning to Parley again after working on the Maiden Voyage workshop last year. She has worked at Annex, Theater Schmeater, On the Boards, West of Lenin, Studio 4 Seattle, Woodinville Rep and others. Favorite roles: Scary Mary (Annex), A Hand of Talons (Pork Filled Productions), Wayne Rawley’s Beating Up Bachman (Radial Theater), The Resistable Rise of Arturo Ui (The CHAC) and A Kind of Alaska (BASH). Jenn is looking forward to the release of some of her films this year, including the feature Brown’s Canyon (Try This Films). In the fall, you can see Jenn on stage in Macha Monkey’s production of Serving Caleb (Working Title) which she co-wrote with Lisa Every and which will be directed by Amy Poisson. Jenn is also proud to have recently joined the Macha Monkey team as an Artistic Associate. Her happy place is eating pizza and chocolate with her husband, children and dogs.
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ISIS KING is super-excited to join the talented cast of Maiden Voyage! This is her 5th production with Parley, having also been a part of Joy Ride, A Long Dark Ride, Beautiful Moon, and VENUS. After receiving a B.A. in Theatre from CUNY Hunter College, Isis spent another 8 years playing in theatres and on film in the Big Apple. Since returning home to Seattle, she has wasted no time in involving herself in various theater projects and local commercials, while taking in the bounty of local fresh NW produce to sustain her food preserving hobby. Isis can next be seen in the Live Girls! short play fest Quickies 17, performing June 21 - July 1 at Annex Theatre. Thanks to Rebecca for taking a chance on me, and merci pour tout à mon amour Jim.
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BEAU M. K. PRICHARD was born in Australia, raised in New Zealand, and educated by Quakers in Oregon. He has lived in Seattle most of his adult life, and among other things, he works as a freelance editor. He was most recently seen as an actor in Storyville Rising for Seattle Immersive, for whom he has also worked as a director on The Listening Glass and Turn of the Screw, both featuring one of his cast mates in this show! He has been consistently working in theater in Seattle for the past decade, including producing, writing, and directing, but his acting gigs have been few and far between. He is thrilled to be taking on a role as iconic as Odysseus in a show like this one. Other performing credits include Dr. Watson in Hound of the Baskervilles (the silly version) and Hank in the world premiere of Drowned for Live Girls! Other directing credits include the world premiere of Starling, SubUrbia, Two Rooms, The Woman in Black, and he just finished directing Rosencrantz and Guildenstern are Dead at Lakewood.
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This is RANDALL SCOTT CARPENTER'S Parley debut! Recent credits include: SQUATCH! The Musical (Spencer, Centerstage Theatre), Edges (Man 1, Pocket Theatre), Shenandoah (Nathan Anderson, Showtunes/ACTLab), Bonnie and Clyde (Ted Hinton, Studio 18), American Idiot (Tunny, Pullman V. Paxton), Listening Glass (Jamie Bennett, Seattle Immersive Theatre), and For All That (Malcolm, Centerstage Theatre), just to name a few. Randall is represented by Big Fish Talent NW. Caro Mio!!
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JON STUTZMAN is excited about working with Parley for the first time. He recently appeared in Turn of the Screw at Seattle Immersive Theatre. In Chicago, he has worked with such theatres as Shattered Globe, The Artistic Home, Raven Theatre, Lifeline Theatre, Steep Theatre, Griffin Theatre, Building Stage (where he was a company member), Back Stage Theatre Company, The Side Project, City Lit Theatre, Adventure Stage, and Pegasus Players. Regional credits include numerous shows at the B Street Theatre in Sacramento CA, the New Harmony Theatre in New Harmony, IN, and touring nationally for two years in Defamation with Canamac Productions.
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Possum, by Barbara Lindsay
April 2017
April 2017
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Featuring:
Macall Gordon Asa Sholdez Connor Kinzer Directed by Rebecca Tourino Collinsworth Production assistance by Emily Doyle West of Lenin
Monday, April 10 7 pm |
Possum
a world premiere workshop production by Barbara Lindsay For years, retired freedom fighter Lucinda Celeste has lived in quiet isolation with her friend and self-proclaimed protector, Rex. Then her long-estranged son mysteriously appears with the threatening news that her property’s about to be confiscated by the repressive government unless she comes out of hiding. Will Lucinda again take up a fight that once cost her everything - and everyone - she loves?
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Videography by Tom Speer.
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CONNOR KINZER (OTTO) first discovered a passion for acting during his childhood years living in the Midwest.
His earliest works included reenactments of Ghostbusters, Indiana Jones, Batman, and Star Wars. While critical acclaim for these works was minimal, he did achieve substantial recognition during afternoon recess. Connor has continued to create imaginary worlds inspired by his favorite films and plays, most notably at age 15 when he hid under a blanket with a Nerf gun in his parents' basement for three hours after viewing Enemy at the Gates, a film featuring Russian sniper Vasily Zaitsev. Surprisingly, this grueling performance went unrecognized by the Academy. |
MACALL GORDON (LUCINDA) can currently be seen as Anne Crain Walker in the Amazon Studios TV series, The Man in the High Castle (Seasons 1 & 2). In May, she will play Adlean in Barbecue! with the Intiman Theatre Festival. Past work includes Sorry (Thalia’s Umbrella – Gypsy Rose Lee Award for Best Ensemble - Large Theatre), Humble Boy (Seattle Public Theatre), the all-female Julius Caesar (Wooden O/Seattle Shakespeare Co.), Diana of Dobson’s (Taproot), Henry V (Wooden O), The Fairytale Lives of Russian Girls (Washington Ensemble Theatre), A Lie of the Mind (Collektor/Central Heating Lab), and The Merry Wives of Windsor (Seattle Shakespeare Company – Walla Walla Extension). She lives in Woodinville with her dramatic husband and comedic dogs.
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ASA SHOLDEZ (REX) first read with Parley in A Fine Line last year, and ever since he has been an avid fan! From their talented writers and AMAZING leadership to that glorious mission and its charming mantra, "Make Plays, Not War." He's particularly pleased to give voice to Rex in this incredibly timely reminder of the price of resistance, and why we pay it.
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Magpie and Marita, by Hannah Merrill
February 2017
February 2017
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Magpie and Marita
a new play by Hannah Merrill Directed by Rebecca Tourino Collinsworth featuring Grace Carmack* Drew Combs Greg Brisendine* Nancy Titus Zerg Production assistance by Brian Dang *Parley Associate Playwright Teens Amina and Paul have acted out the same scenario for years: Amina, a sharp, self-possessed girl, turns into Magpie—the type of man to tip showgirls with fifty dollar bills. Paul, a sensitive, artistic boy, turns into Marita—the type of woman to wear a double strand of pearls. To their worried parents, it's a game, and a dangerous game at that. To them, it's more—a tantalizing chance to explore a new way of being in the world. But in the face of new sexual attraction and exposed family secrets, the rules of their role-play start to break down, and being Magpie and Marita is suddenly a lot more complicated. A coming-of-age love story featuring astronomy, cross-dressing, and power dynamics.
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Tuesday, February 28
7 pm West of Lenin Videography by Tom Speer. |
NANCY TITUS ZERG (FRAN) This is Nancy’s third appearance in a Parley production. She made her Seattle area acting debut in Greg Brisendine’s No Strings Attached and recently appeared in Parley’s one act festival. In her earlier days Nancy was in over 40 stage productions in San Diego and Los Angeles. She won a Best Supporting Actress award for Shaw’s You Never Can Tell at the Old Globe Theatre, Best Actress award from Dramalogue Magazine for her work in The Circle at the Gaslamp Quarter Theatre and a Best Actress award nomination from the San Diego Drama Critics for her work in Pinter’s The Homecoming. Some other productions she has appeared in include Guys and Dolls, Romantic Comedy, Isn’t It Romantic, Once Upon a Mattress, Uncommon Women and Others, Godspell, Veronica’s Room, and many more. She is honored to be part of this production and excited to perform in this exciting new play with this talented cast.
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DREW COMBS (PAUL and MARITA) is stoked to be in his first Parley reading! Many thanks to Rebecca and the stellar cast and crew!
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GRACE CARMACK (AMINA and MAGPIE) graduated from Cornish College of the Arts in 2014 with a BFA in Theater. She most recently performed as Echo in Copious Love's production of The Untitled Play About Art School and Lauren in Annex's production of Puny Humans. Prior to Cornish, her training consisted of ballet, jazz, tap, modern dance, and Irish step dancing. Grace is also a playwright and a poet whose work focuses on queerness, trauma, and the various ways love manifests in our lives.
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GREG BRISENDINE (JAY) is a poet, playwright, corporate drone and occasional actor in Seattle. He's been a Parley playwright for more than a year, but this is his first time on stage with Parley and he's giddy about that.
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VENUS, by Susan McNally
February 2017
February 2017
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Parley presents
the world premiere workshop of a new play. VENUS by Susan McNally directed by Rebecca Tourino Collinsworth featuring Isis King* Brandon Collinsworth* Christopher Crawford* * Parley Associate Artist production assistance by Emily Doyle Two performances! Monday, February 6 Tuesday, February 7 7 pm West of Lenin Brian has life figured out until Venus wanders into his world. But Venus has a boyfriend and an appetite for drama. Is love a chemical reaction, a deadly trap, or an opportunity for a new life? Brian is about to find out. VENUS explores themes of altruism and selfishness, love and trust, and how we all go about getting what we need. |
Videography courtesy of Tom Speer.
BRANDON COLLINSWORTH (BRIAN) is thrilled to be working with Parley once again! He loves this company, he loves this cast, he loves this crew, he loves this playwright, and he’s in love with this director. He couldn’t be happier. Previous Parley shows include: A Long Dark Ride, Aliens Anonymous, Maiden Voyage, No Man’s Land, Stamina, The Language of this World, and Trump’d. He did some other shows before those, but he’s pretty sure he’s wasted enough of your time already. Let’s get to work!
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ISIS KING (VENUS): This is Isis's 4th production with Parley and she is super excited to be playing her dream role - a carnivorous plant. Much love to the cast and crew of the show, and to Jim.
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CHRIS CRAWFORD (BUZZ) is excited to return for his eighth production with Parley. Chris is an artist from Columbus, Ohio. He was honored to be chosen as one of Parley’s 2015 Associate Artists. He'd like to thank Susan McNally for her warmth, Rebecca Tourino Collinsworth for her understanding nods and hugs, Brandon and Isis for their determination and spirit and the rest of the Parley members for all their hard work. Enjoy the show!
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Short SHORTS
December 2016
December 2016
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WRITERS
Tré Calhoun Elizabeth Coplan Ryan Nole Fields Amber Hughes Babs Lindsay Susan McNally Hannah Merrill Nelle Tankus Celeste Mari Williams Extravagant RAFFLE at both performances! |
Parley proudly presents
short SHORTS a fundraising fest featuring nine pithy plays on the theme of peace 12th Ave Arts Dec 16 & 17 9:45 pm LIVE MUSIC performed by Brian Dang and Emily Doyle |
ACTORS
Erin Bednarz Marie Bolla Tré Calhoun Drew Combs Gretchen Douma Julian Garcia Jared Holloway-Thomas Eileen McCann Tadd Morgan Lucy Pearce Kendra Pierce Emily Pike Rachel Rene Stephanie Spohrer Pilar Walsh Nancy Titus Zerg . . . And multi-media presentation made possible by
25 additional Seattle artists! |
Gemini Season, by Nelle Tankus
November 2016
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Gemini Season by Nelle Tankus directed by Rebecca Tourino Collinsworth featuring Jared Holloway-Thomas Denny Le Lucy Pearce Sydney Tucker and Celeste Mari Williams |
Tuesday, November 15 7 pm West of Lenin pay what you will Shortly after Mia returns from the funeral her Mormon sister organized in honor of her old name, Mia receives a letter from Britney Spears demanding they meet at a diner in rural Idaho. Meanwhile, her ex-boyfriend/roommate is stalked by the paparazzi and her sister is falling in love with her best friend. Gemini Season is a play about hero-worship, ghosts, and the families you can't choose. |
JARED HOLLOWAY-THOMAS (MIA) is thrilled to be joining Parley Productions for this reading of Gemini Season. Jared, an armchair Trans* rights activist, would like to thank Nelle Tankus for writing such an affirming and fun piece, a gem for the local queer arts community. Jared is a classically trained actor, who studied at the London Academy of Music and Dramatic Arts, and has been working in the Seattle area for several years. Jared uses They/Them pronouns.
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DENNY LE (DREAM) is a Seattle native and is happy to be back for his third production with Parley! Most recently, Denny was seen in Seattle Shakespeare Company's The Winter's Tale, working and performing with Intiman Theatre in their Emerging Artist Program, and finishing his studies in Musical Theatre at the University of Washington! Other credits include: Hair (Bainbridge Island Performing Arts), Othello (GreenStage), Boys' Life, Sweet Charity, Beggar's Opera (UW School of Drama), and more! Thanks to everyone who supports live theatre and original new works!
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LUCY PEARCE (JANINE) is honored to be involved with this wonderful play and team. An actress for many years, she recently performed in the three plays, Jane Eyre/Julius Caesar/As You Like It, with Island Shakespeare Festival. Some of her other credits include a dramatic reading at WICA of Edgar Allan Poe’s works, Frankie in Frankie and Johnny with Local Jewell Productions, Hattie in The Underground Theatre Company’s production of Laundry & Bourbon, Mother Samsa in Ghost Light Theatrical’s production of Franz Kafka’s Metamorphosis, Kattrin in Mother Courage and Her Children as well as Emilie in Bertolt Brecht’s Baal at the Sheridan Theatre in London. A graduate of Italia Conti Academy of Theatre Arts in London and The Second City Hollywood, Lucy is also a director and has appeared in various short films, commercials, improv and sketch comedy shows. When not acting she can also be found directing, singing and writing music or poetry. For more info on Lucy: https://www.facebook.com/LucyJPearce23
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CELESTE MARI WILLIAMS (PAPARAZZO, WAITER, SISTER DELILAH) is proud to be an associate playwright with Parley, which has produced workshop readings of her plays, Amelia’s Wall and A Fine Line, under the loving guidance and artistic direction of Rebecca Tourino Collinsworth. She has also worked with SIS Productions as a writer, co-producer, dramaturge, and is currently the prop designer for Mechanics of Love. Celeste has performed locally in film, television, and on stage. She was most recently seen in REBATEnsemble’s Icons - The Martin Show, Freehold’s Incubator Studio Series’ Lost Friend, and had a lead role inThe United States of China. Celeste is excited to be performing in this fantastic new play by her friend and colleague, Nelle Tankus.
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SYDNEY TUCKER (BRITNEY SPEARS) is a local actor, producer, emcee, and burlesque performer. She's recently been seen at Book-It Repertory Theatre, Seattle Fringe Festival, Bumbershoot Music and Arts Festival, and Annex Theatre. Sydney holds a B.F.A. in Theater from Cornish College of the Arts. www.sydneytuckerperformer.com
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Insufficient and The Other Side of Silence, by Grace Carmack
September 2016
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In Insufficient, Astrid and Peril are new to love and determined to make it work. From an awkward dinner date to a not-so-casual hike in the woods, these two are hell-bent on figuring each other out – that is, until an unexpected run-in with a stranger pushes them to what could be the breaking point.
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In The Other Side of Silence, a woman copes with the break up of a lifetime by packing away everything that makes her hurt. What she discovers is a seemingly endless stream of troubling thoughts that have kept her from moving on.
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Insufficient and The Other Side of Silence
the world premiere workshop of 2 short plays by Grace Carmack directed by Rebecca Tourino Collinsworth featuring Erin Gray Emily Pike Eleanor Withrow * Content advisory: Insufficient contains references to sexual violence. |
Tuesday, September 6
7 pm West of Lenin pay what you will |
EMILY PIKE (PERIL) is a local actor and musician with a BFA in theater from Cornish College of the Arts. Insufficient marks her third collaboration with Parley, and she is delighted to be working once again with such a capable and ambitious team of artists. She'd like to thank Rebecca, Grace, and her fellow cast members for a truly joyful and thought-provoking process.
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ERIN GRAY (SHE) is a California native who moved to Seattle five years ago. A graduate of Cornish College of the Arts, she has recently been seen manning the front desk at Freehold Theatre. Her alter ego, Lil' Tigre, has been moonlighting on Seattle's finest burlesque stages, and she can be spotted this fall at Bumbershoot in DUMP: A Garbage Burlesque. Erin thanks Parley for this wonderful opportunity to work on Grace Carmack's poetic and vivid play, The Other Side of Silence.
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ELEANOR WITHROW (ASTRID) is thrilled to reconnect with Parley on another project and couldn't be more excited to work with such a talented group of women.
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No Strings Attached, by Greg Brisendine
August 2016
Grace is a recent widow living in a retirement community in Florida who discovers a sexy, swinging subculture burbling beneath the surface of all the golf cart paths. Caught up in the excitement, Grace strays farther and farther from the woman her friends have come to know.
But when Grace makes a choice to live her life to the fullest, who will have to live with the consequences?
But when Grace makes a choice to live her life to the fullest, who will have to live with the consequences?
BARBARA DEERING (GRACE) is delighted to be working on this exceptional new work. Living and performing here in the Northwest for over 20 years, Barbara began her theater career as a child at age 9 in Chicago, then worked 20 years in the Southeast and now calls Bainbridge Island home. Some of her roles here in the Northwest include Polly in Other Desert Cities, Jeanette in The Full Monty and Mama Morton in Chicago. She has made two appearances on "Grimm" and can be seen in the movies Georgia, Grassroots, and Autumn Waltz. Barbara would like to thank Parley for inviting her, Greg Brisendine for his wonderful writing, Rebecca Tourino Collinsworth for her insightful direction and the wonderful, creative cast she is working with for their energy and effort on this piece.
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NANCY TITUS ZERG (EMILY) recently moved to Washington and is making her Seattle debut in No Strings Attached. It’s also her first time on stage in over 25 years, returning to theater now that her daughter is all grown up. In her earlier life, Nancy was in over 40 stage productions in San Diego and Los Angeles. She won a Best Supporting Actress award for Shaw’s You Never Can Tell at the Old Globe Theatre, Best Actress award from Dramalogue Magazine for her work in The Circle at the Gaslamp Quarter Theatre and a Best Actress award nomination from the San Diego Drama Critics for her work in Pinter’s The Homecoming. Some other productions she has appeared in include Guys and Dolls, Romantic Comedy, Isn’t It Romantic, Once Upon a Mattress, Uncommon Women and Others, Godspell, Veronica’s Room and many more. She is honored to be part of this production and excited to perform such a beautifully written script with this talented cast.
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GRETCHEN DOUMA (BEATRICE) is delighted to work with Parley on this wonderful new play. She just finished appearing as Sheila in the recent world premiere production of Benjamin Benne’s Terra Incognita at Annex. She has also performed with ArtsWest, Bellevue Civic, 14/48, Forward Flux, Live Girls!, the Mae West Fest, Seattle Theatre Works, Taproot, TART and Valley Center Stage, among others. Before moving to Seattle, she worked extensively in theater, film, industrials and voice-overs in the Twin Cities. Some favorite roles: Virginia (Three Viewings), Lydia (Still Life), Madame Arcati (Blythe Spirit), Mrs. Hardcastle (She Stoops to Conquer), Big Mama (Cat on a Hot Tin Roof), Shirley Valentine (Shirley Valentine). Love to Nina and "the girls."
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DAWN CORNELL (DEVORAH): Involved in many productions throughout Puget Sound. Studied at AADA in NY after a BA in Theatre from UW. Has worked at Driftwood Theatre in Edmonds, SMT and Fringe Festival; recently finished work on 48 Hour Film Festival and had such fun! Proudest lifelong joy is the amazing family and my incredible two daughters who make each day just lovely and allowed me pass through their teenage years relatively unscathed. And my future theatre work will always be for you, Alan, and I will always miss your crazy wit and your love of your daughters and me. And Greg…keep writing!
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KELLY JOHNSON (JANE) is thrilled to be working with Greg, the writer of The Hat, and Parley. She's a local kid who was last seen in Annex's Puny Humans, STAGERight's I Gelosi, and Arouet's Life Is a Dream. She'd like to thank the indomitable Dawn, Barbara, Gretchen, and Nancy for their moxie, strength and talent in helping to bring these characters to life. A huge thank you to my husband, Vandyman, for supporting me in my theatre—even if I take them on the same month we get married. Muah!!!
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Maiden Voyage, by Rebecca Tourino Collinsworth
July 2016
Penelope’s heroic husband has been away from home for nearly twenty years, while Penelope's been running his estate, raising his college-bound son, and winning acclaim for writing an important book about him called The Odyssey. It’s all going well for Penelope, until the long awaited, battle-weary subject of her book returns home, ready to take his life – and hers – back. Featuring a fraught artistic process, erotic jealousy, and a blow to the head, Maiden Voyage is a dramatic departure from the ancient story you thought you knew. Videography by our dear friend Tom Speer.
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Maiden Voyage a world premiere workshop written and directed by Rebecca Tourino Collinsworth featuring Colleen Carey Jenn Ruzumna Michael Oaks Benjamin Symons and Brandon Collinsworth assistant director Caitlin Coey production intern Danelle Jaeger two performances July 25 & 26, 7 pm West of Lenin pay what you will 
Announcing our next
Playwright's Happy Hour - featuring a pre-show drink, a discussion moderated by the delightful Greg Brisendine, and a Q & A with Rebecca Tourino Collinsworth! Tuesday, July 26th at 5:45 pm Gallery / Lobby West of Lenin If you're a donor, your drink's on us. But everyone is welcome! |
COLLEEN CAREY (PENELOPE) is a Seattle native. She began working as a professional actor at the age of five. She was featured in numerous commercials for national clients and appeared in local theater productions including A Christmas Carol at ACT. Colleen gained early admission to the prestigious Los Angeles County High School for the Arts (featured in the documentary films Fame High and Shakespeare High) and continued her education at the North Carolina School for the Arts. Film and Television credits include: Ticket Out with Ray Liotta, Alexandra Breckenridge and Billy Burke; Mystery Case Files Video Game Series; Bigfoot with Danny Bonaduce, Barry Williams, Bruce Davison and Cynthia Geary; The Boy Who Lived Before and Different Drummers with Brayden Tucker, Meg McLynn and Lisa Coronado. She was nominated for the Best Actress Award from the WorldFest Houston International Film Festival for her work in Different Drummers. As a stage actor, Colleen has performed in over twenty-five Seattle productions, including Seattle Times Footlight Award winners "Edmond” and “Café Nordo”. She was nominated for a Theater of Puget Sound Gregory Award for her work in All Through the Night at ArtsWest. Most recently she played Lady Capulet in Seattle Immersive Theatre's R&J and Sabina Gallagher in Seattle Immersive Theatre's The Place Between.
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JENN RUZUMNA (MELANTHO) is delighted to be a part of this wonderful cast. Jenn was recently seen in Pork Filled Production’s A Hand of Talons and in The Twelfth Story at The Annex. She has also performed at Theater Schmeater, On the Boards, West of Lenin, Studio 4 Seattle and Woodinville Rep and others. Favorite roles: Jennifer Tucker in Wayne Rawley’s Beating Up Bachman (Radial Theater), Betty Dullfeet in The Resistable Rise of Arturo Ui (The CHAC) and Debra in A Kind of Alaska (BASH). Jenn also enjoys film work and is looking forward to the release of some of her films this year including the feature Brown’s Canyon (Try This Films). She’s also looking forward to an upcoming reading of her co-written play, Serving Caleb. Her happy place is eating pizza and chocolate with her husband, children and dogs.
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MICHAEL OAKS (ODYSSEUS) - Michael is currently appearing in Speed the Plow at
Theatre 9/12. Other local credits include: The Winter Bird at Eclectic Theatre; Father Flynn in Doubt, Jack in Everything in the Garden, Lyman in A Shade of Green, Pishchik in The Cherry Orchard all with Theatre 9/12; The Twilight Zone Live! at Theater Schmeater; Three Screams at Man Alone Productions; and as an annual cast member of Ham for the Holidays with Lisa Koch and Peggy Platt at ACT. |
BENJAMIN SYMONS (TELEMACHUS) is just overjoyed to be a part of this process. Having grown up on D'Aulaire's Book of Greek Myths and having read The Odyssey (multiple times) in school helping to bring this story to life is a dream come true. He was last on stage in Eat Cake at Annex Theater and has performed with Ghostlight Theatricals in As You Like It and From Kings to Controllers, and with The Bathhouse Ensemble in Celebrity Row, Edgar & Annabel, and Almost, Maine.
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BRANDON COLLINSWORTH (PHEMIUS) is overjoyed to be working on such a thrilling play with such a formidable, stellar cast. Favorite professional roles include Romeo in Romeo and Juliet, Picasso in Picasso at the Lapin Agile, Tulsa in Gypsy!, Doody in Grease, Ross in Macbeth, and Ugly in Honk! Brandon would like to thank all the members of Parley for their hard work, inspiration, and camaraderie. He would especially like to thank Rebecca Tourino Collinsworth for her stalwart support, inspiring words (written & otherwise), and her general, tangible hotness. This is all for her.
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A Fine Line, by Celeste Mari Williams
May 2016
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Do you know what it's like to watch the first signs of aging appear on your face?
Those creases and spots can feel like uninvited houseguests . . . who never leave. Lena's just turned forty, and the sight of her changing face fills her with dread. Then the newest line on her face begins talking to her. (How's that for a wrinkle?) Will Lena survive her encounters with Gloria Swanson, Chinese Herb, and the Sun himself? What will it take for her to let go of the failed marriage that left her childless and her obsessive fears of growing older alone? 
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A Fine Line a dramatic farce by Celeste Mari Williams directed by Rebecca Tourino Collinsworth featuring Ina Chang Asa Sholdez Pilar Walsh Allen Go Denny Le Brian Pucheu and Nelle Tankus Tuesday, May 24th 7 pm West of Lenin pay what you will <======================= Videography by the wonderful Tom Speer. |
ASA SHOLDEZ (FINE LINE/ SOULMATE) has been playing at theater since well before he was old enough to remember any lines, and hopefully long after he's too old! This time, they even let him hold the script...Having spent the majority of the last 30(ish) years playing to audiences North of the Sno-King line, Asa would especially like to thank Celeste and Rebecca for inviting him to the Southland. Other stages Mr Sholdez has been privileged to visit are Second Story Rep, Driftwood Players and The Historic Everett Theater. For tolerating him and his passion for theater (but mostly him...) Asa should also mention here his wonderful children and his very own Yellow Sun.
PILAR WALSH (GLORIA), a SAG-AFTRA actress, singer, dancer, writer, filmmaker, producer and mother of four, has worked for many years in TV, film, and stage. Some highlights in the past few years were playing Liza Minnelli on MAD-TV, performing opposite Ken Page in Man of La Mancha with Broadway Austin, the Indie film Dog Barks opposite Michael Costello and Bernstein’s MASS, Cabaret, Pippin and The Musical of Musicals in Hawaii. She worked with Alec Baldwin and Annette Bening on Running With Scissors, Kathy Najimi on Hope Floats, and a half-dozen independent films along the way. She performed her own cabaret show in Seattle and Los Angeles, “Mostly Sondheim and a Little Lloyd-Weber” and still dances, having worked 3 times on the Howie Mandel TV show Mobbed. She is a recipient of the Actors Fund Teaching Artist Institute Certification. She has recently returned to Seattle to be close to her grown children, having been gone almost 10 years. She wrote, produced and co-directed a sizzle reel/short film of her screenplay How I Survived the Sixties, recently screened at the Northwest Film Forum for SAG/AFTRA Short Film showcase. She is thrilled to be working with Parley and all the great talent involved.
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INA CHANG (LENA) is a writer and performer whose short plays have been included in the Seattle Fringe Festival, Seattle One-Minute Play Festival, Seattle Play Series, and Theatre Battery’s 24-hour new play festival. She is a member of the SIS Writers Group and serves on the board of New Century Theatre Company. As a singer, Ina has performed frequently in recital and in opera roles that include Queen of the Night in The Magic Flute and Olympia in Tales of Hoffman. Earlier this year, she made her theater debut as Umma in Seayoung Yim’s Do It for Umma at Annex Theatre; she’ll reprise the role in August when the show is remounted at Theatre Off Jackson.
ALLEN GO (CHINESE HERB) is thrilled to be part of this Parley workshop process in perfecting this terrific play. His previous shows and one currently in the works are: Who Needs Feng Shui? at Eclectic Theater's Fair Play Festival, Paper Angels at the Seattle Fringe with SIS Productions, The Joy Luck Club with Tacoma Little Theatre, The Herbalist (stage reading) with Heart Break Productionz, and Prelude to a Kiss and The Joy Luck Club with React Theatre.
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BRIAN PUCHEU (THE SUN) is originally from Tranquillity CA, yes that is a real place. He moved to Seattle a couple years ago and couldn't be happier. Some local credits include, but are not limited to, Pirate King (Pirates of Penzance) with the G&S society, Einstein (Picasso at the Lapin Agile) with 12th Night, Edger Poe (Hours of Life) with Theater 22, and Perchik (Fiddler on the Roof) with SMT. Brian is grateful to be playing a demi-god because... what?... No. I'm not writing that... Because, you'll sound like an ass!... NO! Stop saying it... stop... Stop!.. Just STO-FINE, I'll write it!... Brian is grateful to be playing a demi-god because he (thinks) it suits his subtle, yet powerful, personality and good-looks. (I am so sorry you had to read that.)
DENNY LE (BABY DARK SPOT) is very excited to be working with Parley again and finally getting to play a dream-role he never knew he had: a big, grotesque baby creature. He was last seen with Parley last year playing Kellen in Café Đụ Má by Julie Hoang. Denny is currently a Senior at the University of Washington studying Musical Theater and will be graduating in June! He has performed with several theater companies in Seattle, but he is excited to share that this summer he will be working with the Intiman Theatre for the first time as an actor for Intiman's Emerging Artist Program.
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TRUMP'D, by Benjamin Benne
May 2016
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In mid-May, Parley presented the world premiere workshop of a new play.
TRUMP'D an American tragedy of Greek proportions by Benjamin Benne featuring Rebecca & Brandon Tourino Collinsworth Fawn Ledesma, Joe Ivey and Andrew Lee Creech Tuesday, 17 May 7 pm West of Lenin pay what you will At age 17, Alma crossed the border separating Mexico and the United States to give birth to her daughter, Angel. Now, 16 years later, Angel is studying for her SATs as Alma studies for her citizenship test.
But Alma's dreams have been turning into nightmares as Donald Trump makes his ascent toward the presidency, police brutality runs rampant, and a stranger with a penchant for milk visits the cantina where Alma works. When the line between having everything to gain and nothing to lose dissipates, Alma is left to question whether her American Dream has merely been a fantasy. In 2016, who benefits from the abundance of the land of plenty? |
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REBECCA TOURINO COLLINSWORTH (ALMA) dedicates this performance to her grandmother, Zoila Pérez, who arrived in this country at the age of fifteen. Rebecca is a graduate of UC Berkeley (BA, English), UC Irvine (MFA, Acting), and the Pacific Conservatory Theatre. She made her professional acting debut as Hero in Much Ado About Nothing at the Globe Theatre in London, and has since acted in regional theaters all over the United States. As a teaching artist, she’s worked with the Claire Trevor School of the Arts at UC Irvine; the Alliance Theater in Atlanta; the New York Film Academy; Seattle University; Meadows School of the Arts at SMU; and the Washington Correctional Center for Women and Freehold Theatre Lab. She is Parley’s founder and artistic director.
JOE IVY (DON/PATRON) is a 40 year veteran performer of stage, screen and television. Joe has appeared in over 35 films and television shows as well as numerous commercials and non-broadcast/ training films. Joe has also worked on more than 50 live theatre shows as a performer and director. Most recently the film “Better than Love” and A View from the Bridge at Seattle Rep.
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BRANDON TOURINO COLLINSWORTH (MIKE) is thrilled to return to Parley for his first Benjamin Benne play! Other Parley productions include A Long Dark Ride, Language of this World, No Man’s Land, Stamina, and Aliens Anonymous. Brandon would like to thank all the members of Parley for their hard work, inspiration, and camaraderie. He would especially like to thank Rebecca Tourino for her stalwart support and encouragement (and direction!).
FAWN LEDESMA (ANGELINDA/YOUNG ALMA) is over the moon to be working on a third project with the incredibly giving, creative, brilliant people of Parley. You may have seen her on the stages of 5th Avenue, Village Theatre, Seattle Opera, Seattle Children's Theatre and Intiman Theatre Festival. Next up she will be attending a year-long training program for her M.F.A in classical acting in Washington, D.C.
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#nofilter, an exhibition
April 2016
In late April, Parley partnered with Forward Flux Productions to present Cycle 7 of collaborate:create.
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Parley partnered again with Forward Flux Productions to present Cycle 7 of collaborate:create on April 20th
at Fremont Abbey in Seattle. Fifteen artists (including Parley playwrights Benjamin Benne and Caitlin Coey) had twenty-one days to stretch across disciplines and create brand-new work, culminating in one exhibition unlike anything you've ever seen. This cycle we investigated filters. From Instagram photos to click-bait news to what we choose to share on social media, filters are everywhere. How are we able to decipher what's real in a world where so many filters exist? #nofilter April 20 7 - 10 pm Fremont Abbey Arts Center |
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Featuring new work by our associate playwrights: Doris, by Benjamin Benne performed by Chelsea Duvall featuring a light installation, "Confessional Elixirs," by Elise Koncsek "Crossed Wires," by Caitlin Coey performed by the playwright The Artists The Seattle-based artists, playwrights, dancers and dreamers involved in Cycle 7 of collaborate:create were: Hayden J. Amaro | Benjamin Benne | Chase Burns | Andy Buffelen | Caitlin Coey | Chelsea DuVall | Haley Franklin | Erica Akiko Howard | Kendra Lee | Michael King | Elise Koncsek | Alexandra Madera | Angel O'Leary | Sydney M Pertl |
The Orchid and the Skull, by Hannah Merrill
April 2016
In early April, Parley presented the world premiere workshop of a new play.
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The Orchid and the Skull by Hannah Merrill directed by Rebecca Tourino Collinsworth featuring Marie Bolla Chelsea DuVall Alexandra Griffin Tanvee Kale Gabriela Noble Ashley Salazar and Stephanie Spohrer Tuesday, 5 April at 7 pm West of Lenin The Orchid and the Skull welcomes you to a house of ghosts, where you'll encounter elaborate desserts, hard alcohol, silver bracelets, and four women spiraling into hell—or rising into heaven. pay what you will |
ALEXANDRA GRIFFIN (TABITHA) is proud to act for the stage for the first time after spending many years working on film. She has recently been the lead in the short films Ted Bundy: King of Hearts, Mirrors, and the feature film Split. She has a double degree from Washington State University: a B.S. in Psychology and a B.A. in Humanities. She has studied acting for film with Mighty Tripod Productions, and has taken private coaching with David S. Hogan and Angela DiMarco. More at Alexandragriffinactor.com
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MARIE BOLLA (PRAKSHI) is from Seattle and graduated from Freehold Studio's Ensemble Training Intensive (ETI) in June, where she was a recipient of the Diversity Scholarship and previously completed the one-year Meisner intensive. She is excited to join the cast of The Orchid and the Skull in her first Parley production and thanks Rebecca and Hannah for this beautiful opportunity. Marie most recently performed with Annex Theatre (The Twelfth Story), Infinity Box Theatre and Sound Theatre. While in ETI she was in Shakespeare's All's Well That Ends Well and created and performed in her solo show, A Mythology. Marie dedicates this performance to the women in her community - friends, teachers, mentors and co-workers.
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ASHLEY SALAZAR (MATILDE) is ecstatic to be working with Parley and such a lovely cast of ladies. She has previously worked on The Passion of Antigona Perez (Thriving Artists) and Just Short of Crazy, as well as Voices of Courage in conjunction with YWCA in Tacoma. She has trained with Freehold Theatre's Meisner progression. Lot of hugs to my family with endless patience.
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STEPHANIE SPOHRER (RACHEL) is thrilled to be working with Parley! She is a transplant from New York and is loving all of the theatre that she is honored to be a part of in Seattle! Since venturing to Seattle Stephanie has worked with: Ghost Light Theatricals, Pacific Play Company, SecondStory Rep, Burien Actor's Theatre, Driftwood Players. She has worked with CLIMB Theatre in Minnesota as an actor educator, performing interactive classes for children. Stephanie received a BA in Theatre Performance from SUNY New Paltz, NY. Thanks to Mike and her friends and family for their support! Cheers to this fierce group of talented woman!
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TANVEE KALE (SUMATI) considers herself an artist, although where she's from, school, academics and education are considered everything. She creates code, she choreographs dances, she expresses emotions! She works as a software engineer during the day, and her evenings - and most of her life - are dedicated to her passion of dance and theater. The sounds of ghungroos and audience applause are her life's most prized moments. Tanvee has been actively involved with a local non-profit South Asian arts organization - Pratidhwani - since she came to Seattle in 2009 and has participated in, choreographed, acted and directed multiple Pratidhwani dance wing shows. Tanvee is also actively involved in the regional Marathi drama scene, having done multiple plays for the Seattle Maharashtra Mandal as well as Xperiments, Seattle.
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Most recently seen in Forward Flux's Hookman, CHELSEA DuVALL (BLUMA) is a performer, writer and theatre-maker who relocated to Seattle in October (2015) after completing her Masters in Fine Arts in Acting at the California Institute of the Arts (CalArts). During her time at CalArts, she additionally studied playwriting under the mentorship of playwright and poet, Douglas Kearney and playwright, Alice Tuan. Her writing primarily examines socio-political topics, explored through poetic language, experimental theatrical devices and performative techniques. Chelsea has had her plays and adaptations produced within the CalArts School of Theatre and for international festivals and workshops. Favorite roles; Clytemnestra (Another Troy), Blanche DuBois (A Streetcar Named Desire), Juliet (Romeo and Juliet), Ophelia (Hamlet). Up next: Chelsea will be participating in collaborate:create (Forward Flux) and traveling to Iceland in July with of Light (Source Material).
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GABRIELA NOBLE (ANTONIA) is thrilled to be participating in her first staged reading! It's also her first time with Parley and it's been a great experience. Some productions she's been in here in the NW are Evita at TMP and The Mikado with the Gilbert and Sullivan Society. She's excited to perform such an awesome play with such an incredibly talented cast!
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Beautiful Moon, by Amber Hughes
March 2016
In late March, Parley proudly presented the world premiere workshop of a new play.
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Beautiful Moon by Amber Hughes directed by Rebecca Tourino Collinsworth featuring: Emily Pike Sophie Franco Katie Woodzick Varsha Raghavan Isis King Monday, March 28 7 pm West of Lenin || pay what you will || A young girl struggles to fall asleep in her violent and chaotic home, her heart aching over the suffering she sees all around her. Desperate for something different, she escapes into her own mind to discover a solution that will change everything. Her vivid imagination brings forth a few famous characters to her aid, but will they be enough? In the face of the terrorizing forces that oppose her, how can even the most resilient of children prevail?
EMILY PIKE (YOUNG GIRL) is a local actor and musician with a BFA in theater from Cornish College of the Arts. Aside from Beautiful Moon, she is currently working with Freehold's Engaged Theater program in their annual residency at the Washington Correctional Center for Women. She's had the pleasure of collaborating with Parley on several previous projects, and she couldn't be more delighted to work with such a capable and ambitious team of artists. She'd like to thank Rebecca, Amber, and her fellow cast members for a joyful and thought-provoking process.
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Videography by the extraordinary Tom Speer.
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SOPHIE R. FRANCO (WOMAN et al.) is a Peruvian American theatre artist, mover and shaker based out of Seattle. This is her first appearance with Parley. Beautiful Moon has been a delightful process & opportunity to collaborate with inspiring, generous, and talented artists. Sophie would like to give special thanks to Amber Hughes and Rebecca Tourino Collinsworth for creating such a collaborative and open space. Sophie is a 2015 alumni of the Cornish College of the Arts' Original Works program. Some of her favorite roles include Emma from Betrayal and Masha from Three Sisters. Surviving the Franco Regime is her solo performance and dark comedy that explores family values, culture clash and identity. Sophie is eager to continue storytelling in the Seattle community, and you can see her next in eSe Teatro's Bernie's Apartment this May at ACT Theatre.
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KATIE WOODZICK (MAN et al.) is a writer, director, actor and the creator and host of the Theatrical Mustang podcast. Favorite roles include Pirelli in Sweeney Todd, Magenta in The Rocky Horror Show and Clown #2 in The 39 Steps. They are delighted to be a part of this dynamic ensemble. Many thanks to Amber and Rebecca for the opportunity to collaborate with Parley.
A Chicago native and greater Boston transplant, VARSHA RAGHAVAN (PERSON 1 et al.) is happy to have called herself a Seattle resident for the past seven months. So far, she has had the pleasure of working with STAGEright and Forward Flux Productions. Varsha is immensely grateful for the opportunity to work on such a unique and dynamic project with Parley, and thanks Amber, Rebecca, and the entire cast for creating such beautiful art.
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ISIS KING (PERSON 2 et al.) is so excited to join the talented, intelligent, intuitive cast of Beautiful Moon! This is Isis' 3rd outing with Parley;previous productions include last month's A Long Dark Ride, by Ryan Nole Fields, and last spring's Joy Ride, by Cara Romanik. Isis loves dancing in the moonlight, long bike rides in beautiful weather, and eating good food. She urges everyone to find their own light and stay whimsical!
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The Lush Life, by Julie Hoang
February 2016
In late February, Parley presented the world premiere workshop of a new comedy.
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featuring
Erin Bednarz Benjamin Benne+ Chris Crawford* Julian Garcia and Julie Hoang+ * Parley Associate Artist + Parley Associate Playwright Videography by Tom Speer. ====> |
The Lush Life a new play by Julie Hoang directed by Rebecca Tourino Collinsworth Tuesday, February 23
7 pm West of Lenin |
Mia, Alex, Danny, and Vivian are constantly finding new ways to f*ck up; their lives are an accumulated hot mess of unfulfilled purpose. One Saturday evening, during his first day on the job in New York City, an unfortunate Uber driver attempts to help them all arrive at their destination. But these twenty-somethings have no idea where they’re going – literally or figuratively.
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ERIN BEDNARZ (MIA) Having previously been seen in Ryan Fields' No Man's Land, Erin always loves an opportunity to work with the magic that is Parley. Erin is a proud company member of LiveGirls! Theater, and will be the Assistant Director to their upcoming collab at ACT Theatre this summer. She is also a co-founder of Umbrella Project -- a new Seattle organization dedicated to the development of local playwrights. Catch her next in ACT's YPP Playwrights Festival, as well as her sound designs for Do It For Umma at Annex Theatre and The Tempest for New City Theater. She'll also be designing costumes for upcoming Seattle Fringe show The Worry Machine. Support new work!
JULIAN GARCIA (DANNY) is thrilled to be collaborating with Parley once again. The Lush Life will be the third time he will be performing with incredible Seattle actors and the creative minds behind Parley. He was previously seen as Agent Dale Cooper in Twin Peaks Live and as August in Careful Girls. Julian would love to thank Julie Hoang for bringing interesting characters and a beautiful disaster of a story to the stage, and Rebecca for creating intensely funny yet amazing moments.
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BENJAMIN BENNE (UBER DRIVER) is a theater artist, associate playwright of Parley, and the literary manager of Forward Flux Productions. For the past few years, his focus has been playwriting; some of his works include: Terra Incognita (O'Neill 2014 National Playwrights Conference semi-finalist; upcoming production with Annex Theatre), What \ Washed Ashore / Astray (O'Neill 2015 National Playwrights Conference semi-finalist), at the very bottom of a body of water (The Playwrights' Center's Many Voices Fellowship finalist; in development with Umbrella Project), and q u e r e n c i a: an imagined autobiography (2014 Seattle Fringe Festival's Spirit of the Fringe Award recipient). He returns to the Parley stage for a second time with his acting teacher Janet Zarish's words in mind, "You have to receive action like a pie to the face." Ben only takes pies to the face when he admires plays as much as Julie's.
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CHRIS CRAWFORD (ALEX) is thrilled to return for his seventh production with Parley. Chris is an actor and singer-songwriter from Columbus, Ohio. He was honored to be chosen as one of Parley’s 2015 Associate Artists. He'd like to thank Rebecca Tourino Collinsworth for all of her understanding looks and kind words, Julie Hoang for writing such a fun, engaging play, the cast, and the rest of the Parley members for making him feel so at home. Enjoy the show!
JULIE HOANG (VIVIAN) is an associate playwright of Parley. Her previous play with the company was Cafe Du Ma. She is also a writer of SiS Productions and associate artist of Seattle Actors Collective. Julie's work has been featured locally, as well as in Los Angeles, where she performed her solo show, The Sunday Journey of Existence, at the Hollywood Fringe. As an actor, she has performed with Book-It Repertory, Sound Theatre Company, SiS, ReAct, and many more. You can see her next in Annex Theatre's Eat Cake, written by Parley colleague Seth, with whom she co-started Drinking Cake & Eating Beer, a podcast featuring new plays. Julie owes tremendous thanks to Rebecca and the Parley crew.
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A Long Dark Ride, by Ryan Nole Fields
February 2016
In mid-February, Parley presented the first workshop production of our 2016 season.
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A Long Dark Ride
by Ryan Fields directed by Rebecca Tourino Collinsworth featuring Brandon Collinsworth* Andy Buffelen Amber Hughes+ Kiki Abba* Denise Paulette Nick Edwards Isis King Christopher Crawford* * Parley Associate Artist + Parley Associate Playwright |
Oliver's got a tough job, and he's keeping secrets that threaten to undo him. He’s about to face a career-ending review panel in the morning. His past follows him around to make sure he keeps his promises; his present refuses to trust him; and his future depends upon how well he can navigate his final 24-hour shift with no mistakes. A play about public and private selves that collide, A LONG DARK RIDE is about a lonely medic's last shot at redemption.
Monday,
15 February 7 pm West of Lenin Admission is pay what you will, but seating is limited. We recommend reservations. |
KIKI ABBA (TAYLOR) A Long Dark Ride marks Kiki's 8th production working with Parley. Kiki is an actor, teaching artist, social media marketer for the arts, and one of Parley's Associate Artists. She was last seen in Playing in Progress' Snowglobed at West of Lenin. She'd like to thank Parley and Rebecca for constantly providing artistic challenges with one hell of a support system. Thanks to Ryan for pushing boundaries and writing from the heart. And a big thanks to the badass cast for being along for the ride. She would like to dedicate this performance to Aimi Lea.
NICK EDWARDS (JAMISON / UNIDENTIFIED MAN) is an actor, improviser, writer, and director in Seattle. Recent scripted performances include Professor Dash in Sauced (understudy, Café Nordo), 14/48: The World's Quickest Theater Festival, Clark (Voyage for Madmen, 14/48 Projects), Davy O’Dowd, et al. (…Kavalier & Clay, Book-It), Twilight Zones (Theater Schmeater), Ari (Undo, Annex), devising ensemble (Spectacle Lunatique, Redmoon Theatre of Chicago), Antonio (Twelfth Night, Montana Shakespeare in the Parks), Tom Wingfield (The Glass Menagerie, Mount Baker Theatre), and Jack Lovington (The Jammer, Balagan). Recent improvised performances include Uncle Mike Ruins Christmas, What If, Upside Downton, Funbucket, Final Transmission, Lease (Jet City Improv), and Wagner’s Sketches (Seattle Opera). Nick received a BA in Theatre Arts from Western Washington University. He is an ensemble member of Jet City Improv.
CHRIS CRAWFORD (FIREFIGHTER et al.) is excited to be working on his sixth production with Parley. Chris is a singer-songwriter from Columbus, Ohio and one of Parley’s 2015 Associate Artists. He'd like to thank Rebecca Tourino Collinsworth for all her encouragement and support, Ryan, the cast, and the rest of the Parley members for making him feel so at home. Enjoy the show!
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ANDY BUFFELEN (BEN SIEGFRIED) is super stoked to finally be on the Parley squad telling this remarkable story! A PNW native, Andy's a local performer, director, producer, and writer. He's proud to have collaborated on projects with Annex Theatre, Playing in Progress, Live Girls!, Seattle Fringe Festival, Pacific Play Co, Boom Theater Co, Bainbridge P.A., West of Lenin, Cabin Fever, 14/48 Projects, YPP, ACT Lab, and his alma mater Cornish College of the Arts. In February, Andy is Producing/AD'ing Theatre22's first off-night venture, Can't Talk Right Now by Scotto Moore. You can catch Andy this spring in 9 to 5: The Musical at Centerstage Theatre. Andy is Managing Director at Forward Flux Productions who will produce seven new plays in 2016! Big ol' thanks to family, buddies, Parley, and the cast.
DENISE PAULETTE (DR. RANSEN) This is Denise's second venture with Parley. Denise believes that there is something quite powerful and magical about being involved in new work and the playwriting process. Especially with such a talented and professional group such as Parley. In the spring, Denise will be reprising her one-woman show, Zelda, by William Luce based on the writings of Mrs. F. Scott Fitzgerald at the Maple Valley Arts Center.
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BRANDON COLLINSWORTH (OLIVER) is thrilled to return to Parley for this powerful new play by Ryan Fields. Other Parley productions include Language of this World, No Man’s Land, Stamina, and Aliens Anonymous. Brandon would like to thank all the members of Parley for their hard work, inspiration, and camaraderie. He would especially like to thank Rebecca Tourino for her stalwart support and encouragement (and direction!). Lastly, Brandon would like to dedicate his performance to Ryan Fields, who works unbelievably hard, under trying circumstances, and continues to be a force for good in this world. Here's to ya!
AMBER HUGHES (ABIGAIL WINTERS) is a Seattle native with a desire to create theatre that challenges and changes communities. She has trained at Profiles Theatre in Chicago, with Theatre of the Oppressed NYC, and Freehold Theatre. Amber is a playwright with Parley and had her first play, Thirst, produced last year. This is Amber's fifth time performing in a Parley show. She is so proud and honored to be a part of this beautiful and compelling play. She thanks you for your continued support of new playwrights!
ISIS KING (LIN et al.) Recently returned from 10 years of living in New York City - where she performed both in productions at Nicu's Spoon and the Ontological-Hysterics Theater as well as on such TV shows as The Good Wife and Smash - she looks forward to honing her skills in the magical and theater-ripe Pacific NW. Originally from Seattle, WA, she has bi-coastal theater training and a background in dance (ballet). She holds an Associate of Arts degree from Seattle Central Community College and a Bachelor of Arts degree in Theatre and Africana & Puerto Rican/Latino Studies from the City University of New York - Hunter College. Isis has performed with academic and faith-based theatre companies in Ghana, Zimbabwe, and China. She hopes to continue to travel and perform all over the world.
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2015
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Aliens Anonymous
Written by Ed Corrigan Directed by Rebecca Tourino Collinsworth With Clayton Michael, Kendra Pierce, Brandon Collinsworth and Ed Corrigan as Dwight D. Eisenhower, Adrien Gamache as Frank Zappa, Kamaria Hallums-Harris as Angela Davis, Kyler Morrison as Abbie Hoffman, Denise Paulette as Patti Smith, Bryce Smith as Malcolm X, and Celeste Williams as the Reader Production coordination by Hannah Merrill November 23, 2015 West of Lenin Welcome to the Land of USA in the year 2030, when Mickey mysteriously arrives in Belltown from another world. Drawn into a secret group called Aliens Anonymous (which includes the activist outsiders Patti Smith, Angela Davis, Frank Zappa, Abbie Hoffman, Dwight Eisenhower, and Malcolm X), Mickey is tasked with saving us all from total domination by the evil Macrocorp. Will Mickey convince his beloved - the fearless, fey, red-headed Delores - to lead the coming revolution? Will Delores finally return Mickey’s affections? Will they succeed in taking down the Machine? Aliens Anonymous is Mickey’s quest to become all he’s meant to be. |
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Careful Girls
Written by Caitlin Coey Directed by Rebecca Tourino Collinsworth With Grace Carmack, Emily Pike, Jenn Ruzumna, Clayton Michael, Julian Garcia, Christopher Crawford, and Noelle Mestres November 17, 2015 West of Lenin High school juniors Liza and Taryn have been best friends since they were twelve, and the intrepid Taryn’s gotten used to leading the way for the cautious Liza. But when they both start dating older boys, Liza says she’s going way too far. Soon, Taryn’s reputation comes under fire at school. Will Liza stick by her? Will her parents? |
Photo by Kyle James Traver. Left to right: Kiki Abba, Chris Crawford, Brandon Collinsworth, Rebecca Tourino Collinsworth, Sarah Rose Nottingham
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Stamina
Written and directed by Rebecca Tourino Collinsworth With Kiki Abba,* Brandon Tourino Collinsworth,* Amy Baldwin,* and Christopher Crawford* *member of Actors Equity Association *Parley Associate Artist November 10 - 11, 2015 12th Avenue Arts Co-produced by Kyle James Traver, LungFish Productions and Parley Stage managed by Sarah Rose Nottingham 
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Pink Rabbits
Written by Susan McNally Directed by Rebecca Tourino Collinsworth With Ruth McRee, David S. Klein, Kiki Abba, Emily Feliciano, Owen Yen, and Camille Campbell October 11-12, 2015 West of Lenin Annie is an elderly woman who has lost her wedding ring, and, perhaps, her husband. Her search for both will lead her down a rabbit hole. Pink Rabbits is a story of love, loss, and the disturbing mishmash of time and memory. |
Eat Cake, by Nelle Tankus
August 2015
In August 2015, Parley produced the world premiere workshop production of a new play.
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Eat Cake by Nelle Tankus directed by Rebecca Tourino Collinsworth production coordination by Julie Hoang featuring Matt Aguayo, Jeremy Behrens, Eleanor Withrow, Kamaria Hallums-Harris, Benjamin Benne, Bryce Smith, David Cravens-O’Farrell, Julie Hoang, and Camille Campbell. Tuesday, August 11 at 7 pm West of Lenin (203 N 36th St, Seattle) Admission is pay what you will, but seating is limited. You're getting married today, and everything is a disaster. The cake isn't decorated properly, your uninvited ex has arrived stoned, and your family's as embarrassing as always. After today, everything you've ever wanted will be yours. You'll find a home. But is that true? What promises will you have to remember today? Which of them can you break? Which of them will set you free? Eat Cake is an ensemble-driven, musical, queer, campy, magical extravaganza following a family of misfits and their mother as they attempt to survive their wedding day. |
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The Wedding Party
MATT AGUAYO (BEN) Matt is a high life flyer and a rainbow rider, but never ever a straight shootin' son of a gun. A graduate of the Original Works program at Cornish College, Matt has been on stage with ACT, Book-it, SPT and Live Girls!, to name a few. Theatre magic keeps his soul singing and blood running, along with the occasional bike ride, rainy day, and horror film. Matt would like to thank all the lovers and friends he calls heroes for saving his day, every day. And his mom. Love you mom.
JEREMY BEHRENS (ROGER) Jeremy is excited to be working with many familiar faces with Parley again. When he is not performing, he can be found teaching theatre to youth at the Seattle Children's Theatre and various local schools. He would like to thank Seth and Rebecca for giving him a chance to dive into new work once again this year.
JULIE HOANG (WEDDING PLANNER) Julie is one of the cool kids (or playwrights) of Parley, where her comedy, Cafe Du Ma, was produced last March. She is also a writer with SiS Productions. Recently, she wrote and performed a solo show, The Sunday Journey of Daily Existence, at the Hollywood Fringe Festival. She is currently developing a web series produced by Seattle Actors Collective. Acting credits include performing on the stages of Book-It Repertory, Sound Theatre Company, ReAct, and more. Julie is a fan of cake and beer. She thanks Rebecca, Seth, and the Parley crew.
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CAMILLE CAMPBELL (MOTHER) As a part of this production along with its amazing cast, Camille has had an emotionally beautiful and enriching experience. Five years ago, Camille was bitten by the acting bug soon after her only child left her nest to attend college and has been professionally acting for local audiences ever since. As a result, she has steadily been gaining a wonderful and eclectic variety of experiences by acting in several theatre productions, a few indie films, a television commercial, and some corporate educational videos. Camille gives a big thanks to Parley - especially Seth and Rebecca - for giving her the opportunity and confidence to do this work, and dedicates her performance and her love to all of the families who have been affected by domestic violence and abuse.
ELEANOR WITHROW (ADDISON) This will be Eleanor's third project with Parley, though it is her first time making it on stage- she could not be more thrilled! She is a native from Baltimore, but has found a home in Seattle. Thank you to everyone who has come out to support Seth, Rebecca, Julie, and the rest of the cast! Make sure you come back for more fabulous work with this very talented group!
KAMARIA HALLUMS-HARRIS (ARIEL) Kamaria is from Greer, South Carolina, where she originally discovered her love for the theater. Kamaria attended South Carolina Governor's School for the Arts and Humanities. Kamaria is now a graduate of Cornish College of the Arts with a degree in Original Works, and she could not be happier with where this journey has led her thus far and where it will continue to take her. Kamaria’s most recent credits are Neverwhere (Cornish Playhouse), Milk Like Sugar (Theatre Battery), A Christmas Carol (ACT), and Mwindo understudy (SCT).
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BENJAMIN BENNE (SAM) Ben is a theater artist, associate playwright of Parley, and the literary manager of Forward Flux Productions. For the past few years, his focus has been playwriting; some of his works include: Terra Incognita (O'Neill 2014 National Playwrights Conference semi-finalist), What \ Washed Ashore / Astray (O'Neill 2015 National Playwrights Conference semi-finalist), at the very bottom of a body of water (The Playwrights' Center's Many Voices Fellowship finalist), and q u e r e n c i a: an imagined autobiography (2014 Seattle Fringe Festival's Spirit of the Fringe Award winner). He has not acted since training under Janet Zarish at New York Theatre Intensives' 2011 Summer Conservatory in association with Ensemble Studio Theatre. But Janet's words still echo in his mind, "Live in the areas that feel dangerous. Stay Open. Change the world." This is for Rebecca.
BRYCE SMITH (MICHAEL) This is Bryce's first time with Parley! A Tacoma native, Bryce loves the opportunity to work up North, frankly, for exactly the kind of experience he's had with this production! He revels in the opportunity to work on "projects," that is, new material cultivated from the creativity of the company producing it. From working on this production, he hopes to string together a lasting friendship with Parley!
DAVID CRAVENS-O'FARRELL (FATHER)
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All Ye Faithful, by Benjamin Benne
July 2015
In July 2015, Parley produced the world premiere workshop production of a new play.
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All Ye Faithful
a play about faith, fear, and serpents by Benjamin Benne directed by Rebecca Tourino Collinsworth assistant directed by Kiki Abba production coordinated by Susan McNally stage directions read by Cara Romanik |
Monday, July 6th at 7 pm
West of Lenin (203 N 36th St, Seattle) Featuring Ronnie Allen Hill, Anabel Hovig, Rebecca Tourino Collinsworth, and Fawn Ledesma A strange woman attends a service at a snake-handling pastor’s Pentecostal church one Sunday. But when she begins to speak in tongues during the sermon, she triggers a series of events that will test the pastor and his family’s faith in God and each other. |
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RONNIE HILL (THE PASTOR) is proud to make his first appearance with the amazing cast and crew at Parley. Most recently he has been seen as Everett Whiteside in The Most Deserving at Theater Schmeater and in a Ghostlight Theatricals production of A Gogolplex. He has also enjoyed working at other local theaters including Book-It Repertory Theater and as far as Lakewood Playhouse. Ronnie Attended School at the University of Montana for Acting and Music with an emphasis in vocal performance. He enjoys playing percussion and singing and more recently has been delving into short films. Next up, he will be playing the title role in Gilgamesh at Volunteer Park.
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ANABEL HOVIG (THE PASTOR'S WIFE) is a local actor. She has been in two Parley productions and two staged readings. She was last seen in Ghost Light Theatricals’ production of A Gogolplex, directed by Lucinda Stroud. She will be performing in Eclectic Theatre's Festival of Shorts later in June. She is excited to be reunited with Fawn and Ronnie and privileged to be working side by side with Rebecca. People can question your actions, but your faith, whatever it may be, should never need defending.
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FAWN LEDESMA (THE PASTOR'S DAUGHTER) is over the moon to be spending a second summer of readings with the shining people of Parley! You may have seen her most recently going on as an understudy for Robin Hood at Seattle Children's Theatre. Favorite roles/shows include: Juliet in Romeo and Juliet (Intiman), Alice in Dick Whittington and his Cat (SCT), and being a corps dancer for Seattle Opera. Next up: Ensemble in Great Wall, a Village Theatre Developmental Production.
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REBECCA TOURINO COLLINS-WORTH (THE OTHER WOMAN) is a graduate of UC Berkeley (BA, English), UC Irvine (MFA, Acting), and the Pacific Conservatory Theatre. She made her professional acting debut as Hero in Much Ado About Nothing at the Globe Theatre in London, and has since acted in regional theaters all over the United States. As a teaching artist, she’s worked with the Claire Trevor School of the Arts at UC Irvine; the Alliance Theater in Atlanta; the New York Film Academy; Seattle University; Meadows School of the Arts at SMU; and the Washington Correctional Center for Women as part of the Engaged Theatre Residency and Freehold Theatre Lab. She is Parley’s creator and artistic director.
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Amelia's Wall, by Celeste Mari Williams
May 2015
In May 2015, Parley produced the world premiere workshop production of a new play.
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Amelia's Wall
written by Celeste Mari Williams directed by Rebecca Tourino Collinsworth featuring Rachel Rene, Mariko Kita, Mark Waldstein, Eileen McCann, Sarah Harris, Jeremy Behrens, and Jed Mathre production coordinated by Hannah Merrill |
Tuesday, May 26th at 7 pm West of Lenin On a visit to the Western Wall in Jerusalem, Amelia encounters an unexpected ghost from her past, stimulating a flood of memories that force her to face hard truths about love, family, and identity. What has Amelia truly inherited? |
Mariko Kita (Carol) studied voice at Peabody Conservatory before pursuing a career in medicine. She has appeared locally with Live Girls! Theater, Pork Filled Productions, ReAct Theatre, Book-It Repertory Theatre, Balagan Theater, StoryBook Theater, Infinity Box Theater, Lyric Light Opera and Ghost Light Theatricals. She regularly writes arrangements for Live Girls! Ladies Choir and has been a proud member of 14/48 bands.
Eileen McCann (Mildred / Photographer) is so excited to be working with such a varied and talented cast, with the in-depth perceptions and direction from Rebecca. Favorite roles recently include Polly in Other Desert Cities, Mrs. Abramowitz in Coney Island Christmas, Mrs. Baker in Butterflies Are Free, Clairee in Steel Magnolias, Mrs. Gabor in Spring Awakening, and Ethel in On Golden Pond. Eileen finds joy in stretching, expressing and growing through the craft of acting. Hope you all enjoy this special play.
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Rachel Rene (Amelia) is a local actor, singer, director, music director, producer, and stage manager—in other words, she's a great lover of theatre and tries to be involved as much as possible. Most recently she had the pleasure of working with ReAct Theatre as both an actor and stage manager, and SIS Productions as a producer, director, and stage manager (which, incidentally, is where she met the love of her life). You may also have seen her as Grandma in Parley's staged reading of Café Du Ma last month. She is thrilled to help bring this beautiful script to life and can't wait to see where theatre will take her next!
Jedidiah Mathre (Tim / Marcus) is excited to work with Parley for the first time, and to help realize Celeste's work. A native of the Midwest, he's worked recently in the area with Taproot Theatre, Bellicose Fantast, and the Celebration Arts Foundation. He is so glad that you are here, and loves you just enough.
Jeremy Behrens (James) is an actor, teacher, and director from Chicago, IL. He currently works as a teaching artist with the Seattle Children's Theatre as well as a freelance teaching artist in local schools. In Seattle, he has worked with a number of companies including: quiet Productions, Washington Ensemble Theatre, Arouet, Riot Productions, ReAct Theatre, Copious Love Productions & Fantastic Z. Additionally, he serves as a member of the Associates program for ArtsFund where he works with fellow arts minded folks who work to raise awareness and resources for local PNW arts programs Thanks to Parley for the opportunity to be a part of bringing this story to life.
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Mark Waldstein (Sheldon) was seen most recently in The Lower Depths with Theatre Machine and The Fierce Urgency of Now with Arouet. He was also in the Gregory Award-winning Undo at Annex Theatre, Picnic with ReAct, The Foreigner with Sound Theatre Company, Spring Awakening at Balagan Theatre, and The Salesman is Dead and Gone with the Splinter Group. Mark has also turned up in such events as the 14/48 Festival, Theatre Anonymous, and the One-Minute Play Festival.
Sarah Harris (Terry / Stewardess / Tourist) is thrilled to be making her Parley debut with this production of Amelia's Wall. She is an actor and writer and is originally from New York. Sarah has performed in Los Angeles and Seattle and currently has a one-woman show, Call Me Crazy, in development. Her one-act play, Sexual Healing, was seen at the 2014 Seattle Fringe Festival. Up next: Sarah will be performing sketch comedy with her troupe, The Mighty Mighty Mixed Nuts, as part of Sketch Comedy Month at the Pocket Theater on May 29th. To learn more about Sarah, visit www.sarahmaureen.com.
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Stamina
written and directed by Rebecca Tourino Collinsworth With Kiki Abba, Brandon Tourino Collinsworth, Christopher Crawford, and Anabel Hovig production coordinated by Caitlin Coey stage directions read by Benjamin Benne May 19, 2015 West of Lenin At a high-tech fertility clinic in the near future, Paloma and Merrit await the results of a suite of tests to determine the viability of a pregnancy. They're about to find out what it means to know too much. |
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Your [ _____ ] Neighborhood
Featuring Block Party, two acts of new works by Parley playwrights directed by Rebecca Tourino Collinsworth May 6, 2015 Fremont Abbey Arts Center Act I Untitled, by Ryan Fields with Amber Hughes, Grace Carmack, and Emily Feliciano In Sync, by Susan McNally with Amber Hughes, Julian Garcia, and Ruth McRee Act II Untitled, by Amber Hughes with Julie Hoang, Emily Feliciano, Emily Pike, and Grace Carmack Play/War, by Benjamin Benne with Emily Feliciano, Julie Hoang, Grace Carmack, Emily Pike, and Amber Hughes E Pluribus Unum, by Caitlin Coey with Grace Carmack |
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Joy Ride
written by Cara Romanik directed by Rebecca Tourino Collinsworth featuring Isis King, David Bestock, Kiki Abba, Amber Hughes, and Lisa M. Clarke April 5 - 6, 2015 West of Lenin Michael and Joy are a struggling couple who are biking to West Seattle to salvage a botched holiday weekend. But when a devastating earthquake strikes, long-buried secrets come to light. An ambulance is stolen, a baby is hurt, and a relationship is on the line. Will Joy and Michael ride on in tandem, or go it alone? |
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CAFÉ ĐỤ MÁ
written by Julie Hoang directed by Rebecca Tourino Collinsworth with Corinne Magin, Denny Le, Christopher Crawford, Rachel Rene, Owen Yen, Lisa Marie Nakamura,and Elizabeth Wu production coordination by Heather Posten March 10, 2015 West of Lenin Don't take business personally, right? But what if your boss is your grandma? For Sheila, running a bakery with three generations of relatives can't help but hit her where she lives. CAFÉ ĐỤ MÁ is a comedy about the struggle to please your elders, reach your potential, and get drunk most afternoons. Or maybe it's about why anyone would go to work so f**king early in the morning. |
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Thirst
Written by Amber Hughes Directed by Rebecca Tourino Collinsworth With Caroline Brown, Ryan Fields, Emily Feliciano, Julian Garcia, Hisam Goueli, and Grace Carmack Movement specialist: Eleanor Withrow Stage directions: Caitlin Coey Production coordinator: Kiki Abba February 8-9. 2-15 Pocket Theatre What does it mean to have it all? These porn stars have fame, money, and sex, but it’s not enough. They want more. But what else is there? And what will they do to get it? Thirst is a play about extreme desire and the danger of being gendered. |
2014
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Triceratops Love Song
Written by Hannah Merrill Directed by Rebecca Tourino Collinsworth With Hannah Mootz, Terry Edward Moore*, and Dustyn Moir December 8, 2014 West of Lenin A history major obsessed with caramels and genocide, Ellie is grieving for her best and only friend when her estranged brother turns up on her doorstep. A tale of plastic dinosaurs, the United States Constitution, and unexpected heroics. * Appearing courtesy of Actors Equity Association |
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No Man's Land
Written by Ryan Noel Fields Directed by Rebecca Tourino Collinsworth With Kiki Abba, Brandon Tourino Collinsworth, Amber Hughes, Amy Baldwin, Sam Hagen, Anabel Hovig, Dylan Smith, Erin Bednarz, Robert Keene, and Christopher Crawford November 24, 2014 West of Lenin Love, clowns, torture, and hard alcohol. Welcome to No Man’s Land: two city blocks of neutral territory in the midst of a decades-long civil war. At a bar in the eye of the hurricane, a small group of people orphaned by the conflict meet to fight for love, hope, truth, and the lives of two newly-captured pilots who face a public beheading. |
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q u e r e n c i a: an imagined autobiography about forbidden fruits Written by Benjamin Benne Directed by Rebecca Tourino Collinsworth With Matt Aguayo, Pilar O'Connell, and Anabel Hovig September 17 - 21, 2014 Seattle Fringe Festival Calamus Auditorium Winner of the Spirit of the Fringe Award |
The Language of this World
Written by Caitlin Coey
Directed by Rebecca Tourino Collinsworth
With Kiki Abba, Amber Hughes, Christopher Crawford, Brandon Tourino Collinsworth, Vivian Kapuaala, and Steven Sterne
September 8, 2014
West of Lenin
Newly orphaned siblings Charlotte, Leigh, and Jay Ashton return to their childhood home and find out what happens when memories don't match up and stories collide to unearth powerful and potentially devastating family secrets.
at the very bottom of a body of water
Written by Benjamin Benne
Directed by Rebecca Tourino Collinsworth
With Anabel Hovig, Christian Ver, Kathy Hsieh, Fawn Ledesma, Amy Baldwin*, and Ryan Fields.
Monday, June 16th, 2014
Center House Theatre at Seattle Center
Marina is a solitary soul swimming in the circles of her routine life. But when her ritual meal of catfish soup is disrupted by the disappearance of her fishermonger, she embarks on a quest for love and redemption that takes her all the way down to the darkest depths of the ocean floor.
*member, Actors' Equity Association
Hearts
Written by Susan McNally
Directed by Rebecca Tourino Collinsworth
With Margaret Vandenberghe, James Patrick, Caitlin Frances, Evan Bowen, Peter Allas, and Caitlin Coey
March 31, 2014
Seattle Public Theater at the Bathhouse
Hearts is the story of a strong but gentle soul, a woman who fiercely loves and protects her family. Yet the harder she tries to shelter them from harm, the louder the past reverberates and threatens to undo them all. Hearts is a story of love in all its facets: familial, romantic, and illicit,
and how the heart can tolerate pain more than ambiguity.
© 2023, Rebecca Tourino Collinsworth